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Hidden Legacy Series, Ilona Andrews

(First trilogy reviewed here. As a quick primer, magic has existed since the mid-1800s, runs in families called Houses, led by the overpowered Primes, and mundane law enforcement mostly refuses to get involved with their feuds).

Diamond Fire

Book 3.5 as it's a novella, and Nevada Baylor, protagonist of the first trilogy, is about to marry billionaire Connor 'Mad' Rogan. But they're two wedding planners down and Nevada's middle sister Catalina has decided she's going to make this wedding work if it kills her, or if she has to kill someone else. The problem is, someone already has killing in mind, a major theft already happened, and prime suspect for that is probably one of Connor's mother's family. So it's shy, brilliant Catalina against a dozen spoiled Spanish aristos.

I like Catalina as protagonist, but I think my favourite character is the utterly irreverent Runa Etterson, a Prime specialising in poisons: "Yes, the frosting is definitely poisoned - everyone grab a spoon and dig in!"

Sapphire Flames

Catalina has now replaced Nevada as head of House Baylor and the Baylor PI agency, on the grounds it's the only way to stop Nevada working herself to death. Summoned on a mission of mercy, to lure a grieving teen off a ledge, Catalina is horrified to discover his sister is Runa Etterson, and that they are the only surviving members of their family after their mother and sister burned to death in a house fire. Runa is convinced it was murder, and as the new head of House Etterson, she wants the Baylor Agency to find out who did it. Meanwhile, her mother had her own safeguard in place, and has hired an assassin to avenge her, an assassin Catalina is horrified to discover is billionaire playboy Count Alessandro Sagredo, subject of her teenage crush. In person Alessandro is arrogant, entitled, and annoyingly, evenly shockingly competent. It's love at first hate. 

Emerald Blaze

"Holster your weapons, and step away from the monkey!"

Nine months on from Sapphire Flames and Catalina is mostly over Alessandro walking out on her in pursuit of his personal obsession. But when both she and her secret boss, the grandfatherly Linus Duncan, aka the scary Warden of Texas, are attacked by summoned creatures, Linus decides that the attacks mean Catalina needs to take point on the investigation of the murder they may relate to. Which is when Alessandro reappears, strangely stripped of his arrogance, humbled even, and swearing to protect her. Which considering the investigation means going face to face with not one, but four combat Primes, the prime suspects in the murder, and a bunch of assassins, might be just as well.

Ruby Fever

A year on from Emerald Blaze and the Speaker of the Texas State Assembly (ruling body of the Houses) has just been assassinated, while someone walked through Linus Duncan's overpowered security to leave him comatose, which means Catalina Baylor, Deputy Warden of the State of Texas at the age of 23, is on her own when it comes to who is running the investigations. But that doesn't mean she's on her own for actually getting stuff done, because she has the full assistance of her family aka House Baylor, and her fiance, Alessandro Sagredo. Plus an annoying Russian prince. And she's going to need all the help she can get, because this time it's war.


Okay, these are David-candy, and I had to ration myself by insisting I read each book twice before moving on to the next, otherwise I'd have blown through the whole double-trilogy in three days. There's a definite pattern to the two trilogies: Book 1, best of frenemies, Book 2, reconciled lovers, Book 3, partners. But Nevada and Catalina are different characters, possibly overly defined by their older sister/middle sister roles, and if their partners are both dangerous billionaire bad boys, they're at least different dangerous billionaire bad boys - Connor as a soldier and Alessandro as, well, Zorro.

They're very much about family - the Baylors start as the three sisters, their mother, their two male cousins, and Grandma Frida, all working together, but also found family, because by the time the second trilogy wraps they are up to somewhere around twenty characters considering themselves to have family ties - and all but a couple of the younger kids with fully developed characters. 

The world-building is equally good, as is the plotting, with underlying arcs binding the trilogies together. I think I caught a couple of things that were raised and not developed, but nothing major. They even covered a point in the Baylor heritage where I initially thought they'd missed the scientific implications.

Impressed.

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It's surprising that sometimes the reason you had quibbles about a book the first time around is the reason you like it more the second time around.

The Goblin Emperor, Katherine Addison

Teenage Maia is stunned when woken in the middle of the night to find out his father and half-brothers are dead in an airship accident and he is now Emperor of the elven lands. But as the despised fourth child, product of an unwanted fourth, political marriage, and mixed race at that, he has spent his life in internal exile and has not received the necessary education to rule. Maia isn't ready for the elven court, but neither are the elven court ready for Maia. 

I love this, I think the writing is gorgeous, but first time around I thought the neologisms were overdone. This time around it was the mention of chamomile tea, not isvret or ochor, that I found jarring.

The Witness for the Dead, Katherine Addison

Thara Celehar, cleric of Ulis, the god of death, wants little from life except to be left alone with his role as Witness vel ama, Witness for the dead in the city of Amalo. But witnessing for the dead, being able to recall their last thoughts for family, religious or legal purposes, inevitably leads to complications when your newest dead body has vivid memories of being pushed into the canal and hit over the head. But this isn't Thara's first investigation, being the Witness vel ama who solved the murder of Maia's father and brothers gives him the tools to pursue his religious duty, a duty he's already once destroyed his own happiness over.

Thara's a particularly dour kind of hero, a man who has allowed himself to be defined and delimited by his often stated I follow my calling, but all the more compelling for it.

The Tomb of Dragons, Katherine Addison

An unfortunate series of events leads to Thara finding himself Witnessing for a dead dragon haunting a mine, the site of a historic massacre of the last of the local dragon population. The problem being that doing so will put him at odds with powerful noble families, at a time of political uncertainty centred on the nobility. But Thara remains a man defined by I follow my calling. The first time around I was annoyed that Thara doesn't get an entirely happy ending, but this time I think I've come to accept that the mixed outcome is perhaps for the best, even if somewhat unfair on everyone. Thara really isn't the kind of person who gets entirely happy endings, and he definitely isn't the sort to presume he deserves one.

(I still haven't read The Grief of Stones, the second Thara story)

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Burn For Me, Ilona Andrews

Girl meets boy, boy bundles girl in rug, and whips her off to his fortress of solitude where he chains her to the floor and tortures her for information is not the most promising start to a relationship, but they make it work.

In a world where mage families are almost immune to the law, Nevada Baylor is a PI, well, the PI, for her small family-owned firm. The Baylor agency sticks with the safe stuff: cheating husbands, insurance fraud, and the like and steers clear of the Primes who run the mage familes. But they're mortgaged to the much larger, and Prime-run, Montgomery agency, and Augustine Montgomery has few qualms about blackmailing Nevada into taking on a job that isn't so much career suicide, as suicide suicide. Spoiled wild-boy Adam Pierce just burnt down a bank in central Houston, killing an off-duty cop, and his mother, Prime of her House, wants him found and returned to her before the cops can shoot him for resisting arrest. The problem for Nevada being that Adam Pierce isn't just a pyromaniac, he's a prime pyromancer, quite capable of burning her to death with just the power of his mind.

Nevada has a secret ace up her sleeve - she knows when people are lying. And a few questions in the right places get her a fleeting meeting with Adam, who turns out to have all the emotional maturity of a toddler on a sugar high. And it's in the immediate aftermath that Nevada runs into the other bad boy in the case, Connor 'Mad' Rogan, Prime of his House and one time weapon of mass destruction for the United States government, who isn't after Pierce, but his sidekick in the arson, Mad Rogan's 16yo cousin, and who'll take whatever measures are necessary to find him.

Shenanigans ensue.

White Hot, Ilona Andrews 

Nevada Baylor is just getting used to the idea that her truthseeker magic may be as strong as any Prime's when another Prime-related case drops into her lap. The lawyer wife of animal mage Cornelius Harrison was just murdered, along with three other lawyers and their security team. Their employer is giving him the cold shoulder, and no one else will take the case. If the Pierce case skirted the mage Houses, this one is going to take Nevada straight to their heart, and her secret may be at risk. And then she discovers that the security team worked for Connor, and he's out for revenge.

Come for the shenanigans, stay for a Mission Impossible heist played out with two ferrets and a Chinese ferret-badger.

Wild Fire, Ilona Andrews

Nevada's secret is out, everyone knows there's a new Prime truthseeker on the scene. And that includes Victoria Tremaine, scariest truthseeker in the country, a woman for whom ethics are things that happen to other people, now revealed as Nevada's grandmother, and scary-granny wants her granddaughters back in House Tremaine. That's bad for Nevada, worse for her teenage sisters, because Nevada's the one who got the least scary talent. But now she has Connor to back her up, if she can just get him to understand the difference between backing her up, and taking over. As if that wasn't problem enough she also has another case, and this time it's for Connor's ex-fiancee.

Houston may not survive the shenanigans. 

*****

Girl meets scarred, brooding, billionaire veteran isn't exactly an unknown trope in romance, and this series - there's another three books involving middle-sister Catalina - is definitely in the romantasy end of the genre paddling pool. But it's well imagined, the world-building and magic systems are solid, and it also stands up a fine urban fantasy, while each case is a perfectly presentable mystery. I bought them because they were cheap (£2 each on Amazon), but I was pleasantly surprised by how good they are, particularly the characterisation - there's a bait and switch with Nevada's attitudes in the first book that is pure delight.

Wicching Hour, Sea Wicche 3, Seanna Kelly

It's the grand opening of Arwyn Corey's gallery, and all her dreams have come true. But you can't have dreams without nightmares, and it's time to run down the sorcerer responsible for so much death and despair. But before that there's another serial killer to be hunted down, and a betrayal that will destroy the foundations of Arwyn's life.

I was a bit annoyed about that betrayal, because it's thrown in, and then any chance of resolving it, or even understanding it, is whipped away. But otherwise a nice addition to the series.

Night Owl Books, Seana Kelly

A spin-off novella from the Sea Wicche books, and actually a re-read from earlier in the year, but I'm pretty certain I never reviewed it.

Orla is a literal night owl, proprietor of Night Owl Books, hidden up a lane in rural Monterey, opening hours 8PM til 6AM, and an Eagle-Owl shifter. When a woman runs into the bookstore after a terrifying encounter with a man on the road, Orla finds herself drawn into the activities of the unofficial local magical law enforcers - though a couple of them do have actual badges, and one is a very attractive bear shifter. They're quickly sure that the man is a werewolf, and that Orla is precisely his type, which raises one possible, if dangerous, method of catching him.

Orla's an interesting character, the writing is 1st Person, and the fourth wall appears to be something she has no truck with. She says teachers kept assuming she was autistic, but it's just part of being an owl shifter, but I'm really not certain that makes any difference. Understanding other people and social interactions are definitely works in progress for her, which makes for an interesting viewpoint character.

It's a shortish read, and having a quarter of the Kindle page count turn out to be a preview of Wicching Hour struck me as a bit naughty.

 Re-reads

The Taellaneth, Vanessa Nelson

Five book series: Arrow is the much-abused half-human gofer for the elf-adjacent Erith and their government, the Taellaneth. Sent to aid the werewolf-adjacent Shifkin investigate the murder of their leader's mate, she's about to find out that the demon-adjacent Usurji have returned, and the Taellaneth are about to find out that abusing Arrow may not have been their brightest idea.

The world-building is a bit shaky in places - we never really get a good explanation for how the humans, and their technology, ended up squeezed in between the Erith and the Shifkin, but the characterisation is fine and Arrow may be one of my all-time favourite characters.

Outcast, Grey Gates 1, Vanessa Nelson

Max Ortis is a Marshal, one of the handful of people charged with protecting the city from the monsters that regularly emerge from the mists and jungle that surround it. In theory the marshals don't get involved in law enforcement, but someone is killing mages, and Max has a horrible feeling that the serial killer is trying to reopen the gates to the demon realms. And seeing as Max was the person who had to shut them again last time, even if no one believes her, she's really not eager for a repeat performance. Meanwhile, reminders of her previous life as an apprentice of the Order of the Lady of Light keep cropping up in the shape of Bryce, tall, brooding enforcer for the Order.

The worldbuilding here is decidedly shaky, there is no way that the city has a functional economy, it doesn't even have an agricultural sector as far as I can see. But I like the characterisation, and the mystery is serviceable.

Called, Grey Gates 2, Vanessa Nelson

The Huntsman Clan are up to something, and Max is worried that abducting and killing young people may be the least of it. Meanwhile the city is running out of fuel, so the Marshals, police, and the Order are going to have to run a convoy through to the refinery that used to be part of the city before the jungle claimed it.

The plotting's as shaky as the world-building in this one, but I still like the writing and characterisation.

Bewicched, Sea Wicche 1, Seana Kelly

Arwyn Corey is a multi-talented artist, working in both paint and glass, and she's about to make her dream come true by opening her gallery in an old cannery on Monterey's sea shore. But Arwyn is also a witch (well, half-witch, half-sea fae) and her mother and grandmother are insistent she join the family council, because they think there's an evil sorcerer out there. Not to mention there's a detective she went to school with who has heard that Arwyn is a psychic and is desperate enough to ask for her help in a child-abduction case. And to make matters worse the hot werewolf building her deck is really distracting.

I still think the title should be punished for crimes against spelling, but these are a fun read.

Wicche Hunt, Sea Wicche 2, Seana Kelly

Arwyn is trying to get her gallery ready for its grand opening, but werewolf boyfriend Declan is pretty distracting, and he's still going to have to fight the local Alpha to the death if he wants to stay with her, meanwhile Detectives Hernandez and Osso have not one but two murders they need help with, and the sorcerer who killed her aunt is still out there. Scariest of all, Arwyn may be about to meet her father for the first time.
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I bought several multi-volume series on Amazon before Christmas as I knew I'd be offline for most of the holidays and wanted to be well stocked for new reading. The three I ended up reading (DNF'd a fourth as just too irritating at about page 30) were:

Chooser of the Slain, 9 books, 'Created by Michael Anderle'

Near-future technothrillers, but with a protagonist, Val Kearie, playing host to a reborn Valkyrie. It's probably not a good sign when the author's notes to book _4_ mention that he's decided to read up on Valkyries. This possibly explains why Val is able to manifest wings, horns and claws, none of which are prominent in traditional Valkyrie lore. Continuity is a bit problematical, but at the plotting level, rather than the oopsie level. He keeps building up cross-book antagonists and then putting them on a bus, and there's a major plot thread that just isn't explained. I suspect it's due to be explained in a further series, and I just can't be bothered. They're very readable if you like technothrillers, but I can't help feeling this would have been better as a three book series, rather than a nine book series thrown out at a book a month.

Great Lakes Investigations, 9 books, Phillipa Norcross, Michael Anderle

Embarrassingly it took me 4 books to realise these are set in Canada, not the US. In mitigation I plead the fact that they're set near Sault St Marie and there's one on either side of the border (and I know more about the US one). Their being set within a parallel magical civilization, a bit Harry Potter style, meant there were no handy references to Mounties or the like to clue me in earlier.

For a series about a private investigation agency, there's surprisingly little investigating, three or four cases in the entire series, instead they're about series protagonist Maggie trying to get over her twin brother Matt's death in a car crash she walked away from. He was a wolf shifter, her thing is time magic - being able to rewind time is a very useful talent for a PI. But in the first book her magic is going a bit wonky and things spiral out from there. The series is good at characters, Maggie, Matt, Ferrow their hyper-organized naga secretary, Shalton who hires Maggie to find his son and decides to take her on as a surrogate daughter, and so on - lots of found family. What it's not so great at is plotting. The individual books are generally okay, but the series planning isn't. There's a huge thing about the importance of tracking down Maggie's parents/family/ancestry (dad is AWOL, mom is dead), and she does eventually track down both, taking at least a book for each, and then never asks either of them anything. *headdesk*. Second series clearly signalled.

OTOH kudos to the author for working out how just plain nasty shifter society could get without the people within it really being aware. And kudos  too for setting up something in the title of the first book that doesn't play out until the climax of book 8.

I think what we're seeing is the weakness inherent in the book every month format. You could get around it with good beta readers and a good editor, but that doesn't seem to be the setup with any of these.

Witch-Warrior
, 12 books, T R Cameron, Martha Carr, Michael Anderle

This really shows the problem the drive to write 9 or more books in a series to be put out at one a month causes, there's an author note about book 5 where one of them mentions they've been told their numbers are good enough it's going to be 12 books not 9. Which a) is a huge amount of extra plot to shoehorn in, and b) probably should be the author's decision. Anderle's down on the author list, but I suspect he should really be publisher, and this explains how he's managed to produce around a thousand books since 2017. (Sadly not exaggerating).

Anyway Cait Keane is Irish, from a twee village of witches, but commutes to work in near-future Boston as a US Deputy Marshal. In order to generate enough plot, by book three or so Cait is 1) doing her day job as a marshal, 2) part timing with the Marshal's Special Operations Group, 3) running an after-hours career as a cat-burglar, 4) occasionally helping out a government black ops group (fairly sure they've strayed in from another series), 5) helping out the less malevolent of Boston's two crime families against the other, 6) helping defend her family's village and the neighbouring town against wolf shifters who've given them an ultimatum to leave*, 7) helping defend her dragon partner's family against an amorphous threat, 8) intermittently running Tomb Raider style violations of ancient ruins with her archaeologist father in order to fund her various afterhours activities - and both the last two take place on a parallel world that's also strayed in from another series. Oh, and her mother wants her to start having babies. There are so many plot threads to resolve one of them is quite literally put on a bus (okay, a plane).

On the plus side, decent writing, decent characters, Cait's infomancer friend Sabrina is clearly written to be a fan favourite, and the local crime bosses get decent development. On the minus TOO MANY PLOY ARCS!!! And if you're going to set a series with two crime families in Boston, notorious for its Irish organised crime groups, why make them Chinese and Italian?

And yes, there's a spin-off series with Cait's little sister, the spy.

* So Cait may work for the US Marshal's Service, but magical Ireland apparently hasn't invented the Garda.

Seeing as I got these for £0.99 each I can't complain too much, but I do think they were all weakened by the drive to throw out as many as possible, as quickly as possible.

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 I had a pleasant lunch with a book, a selection of nibbles, and half a bottle of wine.

And spent the rest of the afternoon asleep on the couch.
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 A Fire at the Exhibition, T E Kinsley

Emily, Lady Hardcastle and her lady's maid/companion Flo are back, and Littleton Cotterell is having a village art exhibition, which can only mean trouble. Though at least for once there are no bodies to be found once the smoke is dispersed - just a missing priceless book (well, not priceless, but worth £1,000, in 1912). Also missing, apparently grabbed up by the thieves on their way out of the hall, are a bust and painting belonging to Emily and Flo's friends Sir Hector and Gertie. The bust is worthless, but the painting is one of a pair Sir Hector was hoping to sell, and without that money they will lose the manor in a matter of weeks. So while Emily and Flo can't really be bothered with the book (which Emily snobbishly dismisses as arriviste), there's a painting to be found, because Hector and Gertie refuse point-blank to let Lady Hardcastle pay off their debts, and a bicycle race to be survived (winning is definitely not on the menu, not even for Flo). There are a satisfying number of red-herrings, and a wandering cast of cycling club committee members, retired circus artistes and treasure hunters.

Definitely at the cozy end of the scale. 

Chooser of the Slain series, Michael Anderle.

Nine books for £0.99, so I wasn't expecting much, especially from someone with a truly ridiculous number of books to their name (if you look at https://www.fantasticfiction.com/a/michael-anderle/ he appears to be releasing a book a week or better), but I'm not sleeping well and quantity has a quality all of its own. That said, these are surprisingly good.

The series starts with Valkyrie and history post-grad/business analyst Val Kearie (geddit!) being interviewed by Viking Inc, a security consulting firm / PMC, who want to steal a march on the CIA, NSA and other TLAs who are also interested in recruiting Val, given she has an interesting skillset, on top of which she's the daughter of a general, has one brother who's a Navy SEAL and another who's in Army or Air Force specops (there's a continuity glitch over which). Impressing Viking's three Jarls (aka managing partners, aka the specops colonel, the specops colonel/ hacker and the specops major/spook), Val finds herself on the company plane to Spain along with huge ex Force Recon Marine Jacob Pinkerton, where a company that advises banks on complying with money-laundering rules is under cyber-attack. Pinkerton has the cyberskills and combat skills Val lacks, she has the European knowledge he's never gained, but things escalate, and so do the stakes.

This first book plays completely straight, and it's a decent enough modern technothriller (well apart from its belief that the language the coder speaks somehow affects how computer programmes work), but it's bookended by dreams about the Allfather.

Into the Battlefield is the second in the series, and Val's heritage is starting to make itself felt, particularly when Reginheid the Valkyrie starts offering her advice from any convenient mirrored surface. It's quite an interesting setup, even if the world-building is a little shaky (Hungarian Romani families called Boswell, Smith and Young. Really? And it takes all of about a minute to look up the name of the Hungarian FBI equivalent instead of calling them "the Hungarian FBI equivalent"). With a US-authored book dealing with anti-Romani/antisemitic violence in Hungary I was quite prepared for it to get painfully gauche*, but it's actually not bad on that front and escalates into an interesting story with an unexpected source of villain (no one ever expects the Spanish Inquisition, not that it's the Spanish Inquisition). 

* It does make the completely fair point that racism against the Romani is by far the most acceptable form of racism in Europe.

Requiem for Heroes sees Val and Jacob stumbling through a series of seemingly un-connected rapid fire cases, until Val realises that there is a common factor, and one they've seen before. But if you gaze too long into the Abyss, sometimes the Abyss will get pissed and come after your families. And sometimes protecting your families may mean inviting the Allfather to take his best shot at you.

By Savage Harbinger Val has a target for vengeance, but they've disappeared into the high-stakes criminal underworld, until a chance facial recognition hit puts them on the hunt again, and with a maguffin of their own to find. (Warning for ridiculously overpowered computer-based maguffin with little authorial understanding of how this stuff actually works).

4 down, 5 to go.

Witch-Warrior Series, TR Cameron, Marth Carr, Michael Anderle

Another 12 for £0.99 series, only read the first of them so far. 

Witch with a Badge: Deputy Marshal Cait Keane is a spell-slinging witch with the US Marshals Service and has just been reassigned to Boston, where, without even time for the orientation tour, she finds herself working the magical murder of a federal judge with the rest of her new team - a couple of non-magical male marshals and a technomancer/hacker who I'm reading as probably neurodiverse. On top of that job she's a member of the Marshals' Special Operations Group (think FBI Hostage Rescue Team) and also spends her weekends back in Ireland, where her family lives in a magical village. I'm strongly tempted to call the village stuff twee, which is unfair, but not by much. And to add to all that she finds herself summoned for a magical rite of passage, for which the reward is a dragon all of her own. Said dragon appears to be the draconic equivalent of a teenager, and it's not clear if he's a reward, backup for an unrevealed threat, or his family taking advantage of circumstances to get him out of the house.

There's a lot going on here, but it's a readable lot.

Compulsory, Martha Wells

Murderbot is supposed to be making sure the humans don't do any on-the-job pilfering, but mostly Murderbot is watching soap-operas. Then one of the humans gets herself into a potentially fatal situation and what's a Murderbot to do?

It's short, and slight, but it is Murderbot, and only £0.77.

Winter's Gifts, Ben Aaronovitch

Despite the name, this Rivers of London novella is not a story about Winter and Sommer and the Abteilung KDA (aka Rivers of Germany), it's FBI agent Kimberly Reynolds, Peter Grant and the Folly's American contact, investigating a call for help from a retired FBI agent in a small town on the edge of Lake Superior, just as an unprecedented winter storm blows in and isolates her from any backup - even the local cops are busy with search and rescue after the town got kerb-stomped by a snow tornado (which apparently is a real thing). Things get worse when she realises her contact has disappeared, apparently abducted, and likely not by human hands, leaving her to dig into a mystery with roots two centuries old, with the help of only a sexy meteorologist, a Bureau of Indian Affairs ethnologist, and a librarian, none of whom she entirely trusts.

It's very intense, the whole thing resolving in less than 24 hours from her arrival, and very readable, Kim is a very different character to Peter Grant, not being even remotely a wizard (though she can recognise vestigia when she feels it). She's saved from the risk of being a Dana Scully expy by being a committed Christian to the point it's bordering on a fault (she gets called out on it at least once).

The thing with the talking bears is totally a bait and switch, though.


Paranormal Nonsense, Blue Moon Investigations 1, Steve Higgs

This is another of those ridulously prolific authors who keep rolling across my Amazon ad feed, only when this one rolled across my screen for £0.99 in late August I paid enough attention to realise this series (he has about a dozen) is set in the Medway Towns, aka where I live. And it turns out to be a (largely) fun read with an unexpected ending, even if it's difficult to take a protagonist called Tempest Danger Michaels seriously. It does however have a major problem, Tempest Michaels is a complete dick, and so is his best mate/backup. Tempest is clearly an author expy (author was an army officer who took the option of having his commission bought out when the Army downsized, Tempest ditto, picture of Tempest on the cover looks like an idealised, buffed-up version of the author, Tempest has two dachshunds, author admits to owning two dachshunds, and so on), but some of the details don't work, he's trying to write Tempest as an ex-squaddie, not an officer, but the redundancy award for a squaddie is not going to be nearly large enough to let him drive around in a BMW X7 and afford a detached house in one of the villages near Maidstone (minimum of about £.5m worth, by my reckoning). The overall conceit is reasonable, Tempest is a paranormal investigator who doesn't believe in the paranormal, exposing the fakes is his thing. The problem is he's a sexist prig, any woman he runs into is assessed on her looks first, and his chance of getting "Mr Wriggly" inside her panties second - I wish I was exaggerating, and his mate is actually worse on this front. While the instant he runs into anyone from the working class* he turns into a Daily Mail leader writer who believes people get, or at least should get, ASBOs for not keeping their gardens tidy and their doors and windows painted.

The story here is a series of vampire-style killings which has Tempest investigating the world of vampire groupies, with a side-order of the Beast of Bluebell Hill, and they're both reasonably done, it's just that whenever he's off the clock or talking to anyone who's not middle class he turns into a complete holier-than-thou prig - 'I don't keep any form of white carbohydrate in the house' is a typical aside to the 4th wall.

The unexpected ending? The author's afterword in which he admits he realised later he should have made him 'kinder' (probably after reading a bunch of reviews calling him a holier-than-thou dick), but, while this is the rewritten version, he decided against changing him. And if he's going to stay like that I see no reason to continue reading.

* The one exception, his parents.

Soul Taken, Patricia Briggs

I should have reviewed this one in October, when I read it, because it's a very seasonal offering, being set at Halloween and pushing the horror-vibe a lot more heavily than usual for the Mercy Thompson series. 

Mercy and her husband Adam are busy defusing a potentially lethal problem - mysterious pack member Sherlock Post just got his memory back*, and one of the things he remembers is he's more dominant a werewolf than Adam, so either one of them walks, or one of them dies - when they are visited by a spooky apparition of Marcilia, the local head vampire, who gives them a deadline to solve an issue with the vampire seethe, who all seem to have disappeared. On top of which someone has made a film about a local urban legend - sort of Friday the 13th, but with a scythe, and bodies have started appearing with exactly the same MO, meaning the police are reaching out for the pack's help again.

Content warning for eye-scream, a lot of eye-scream.

There's a small bit of retconning around the Sherwood Post thing, the 'everyone always got him confused with Y, but he's totally a legend' explanation for 'He's X? How come we never heard of X?' doesn't really gel solidly. I'm not certain there isn't a larger amount of retconning driving the entire storyline, given it throws up backstory that rewrites how trustworthy a major character is, and sets up as inevitable a conflict we've already been told will destabilise the entire supernatural world if it happens.

* As a result of something that happened in the latest book of the related Alpha and Omega series.

The Viper's Nest Roadhouse and Cafe, Sam Quinn Book 6, Seana Kelly

Sam's friend Stheno (yes, that one, the gorgon), is opening a bar on the San Francisco docks as a business venture, so Sam and husband Clive, now retired from his role as Master Vampire of SF, are there for the soft-opening, when someone turns up dead by vampire and the police arrive all wondering why Clive's old executive assistant also just turned up dead by vampire.

It's pretty obvious who is trying to set up Clive, because his maker, Garyn is arriving in town tonight, what's not obvious is why. So Sam and Clive head over to vampire central for the reception, only for Sam to realise there's a problem - almost any vampire who gets in range of Garyn, especially the menfolk, is reduced to a simpering idiot desperate to obey her every wish. And Garyn is clearly not happy Clive married anyone who isn't her.

So it's Sam vs Garyn, or Sam and her allies versus Garyn and every vampire she's sunk her mental compulsion into in over a millennium of living as a parasite on those around her. Just as well Sam's just levelled up and her allies include a gorgon, several dragons, a half-demon, an Egyptian god, and assorted witches and dwarves.

Other things read:

The annual re-read of the complete Mercy Thompson series, plus a re-read of the other Rivers of London novellas and Amongst our Weapons as a warm-up for Winter's Gifts.

 

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The Biergarten of the Damned, Seana Kelly

Sam and Clive are back from their honeymoon/search and destroy mission in The Hob and Hound Pub and trying to squeeze Clive's extensive wardrobe into Sam's small flat at the back of the her pub/bookshop. Only a demon seems to be attacking Clive in his sleep and half-demon cook Dave just quit. Could the two things be linked?

This seemed rushed to me, and I'm not convinced the two halves of the plot meshed together seamlessly, or at all. OTOH it's interesting for incorporating Christian demonology pretty much straight on, including sinners being dumped into lakes of lava, rather than trying to produce some bowdlerized version. Still it's definitely the weakest of the series so far. And I'm pretty much convinced naming an orc Fangorn is a crime against Tolkien,

Bewicched*, Seana Kelly

Casey's new, linked series in the same universe as the Sam Quinn series. Artist/witch Arwyn Corey just wants to concentrate on getting her gallery ready for opening day and hanging out with her friends the starfish, the octopus and the harbour seal (not making this up). But there's an annoying werewolf working on her deck and family pressure from her mother and grandmother to take up her position as the junior member in the triumvirate Corey Council, which is a tremendous vote in her sheer power, but a potential nightmare. Arwyn's a clairvoyant/seer, something the Corey family turns out every couple of hundred years or so. She's also the first of those not to kill herself before reaching 14, because every person she touches, she reads their innermost secrets, making gloves top of her don't leave the house without 'em items of clothing. Even with that precaution she still regularly gets hit with random visions intense enough to knock her to the floor. Taking up her mantle will mean actively using her powers, something she mostly tries to avoid.

But then a police detective comes knocking on her door because there's a kid missing**, and the cop's not taking no for an answer. And then someone else tries to kill her aunt. Arwyn might not want to use her powers, but the choice may no longer be hers.

In contrast to Biergarten, this doesn't feel rushed. There's a really, really good evocation of just how nightmarish Arwyn's life can be. And some really good supporting characters. The main weak point is the link back into the Sam novels, which bears a little too heavily on being familiar with their backstory.

The Banshee and the Blade, Seana Kelly

This is a really slight short story, following on from Biergarten, with Dave trying to find his wife, said banshee. As far as I can tell, it exists solely to bring Dave into contact with Arwyn, so that she will know how to contact him during Bewicched. Why it couldn't be incorporated into either book, or both, I really don't see. It's one saving grace is it only cost 79p, and even that may be a bit much.     

* Ick on the cutesy spelling.

** Content warnings for fairly detailed child abuse and animal harm

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Burn Rate, K B Spangler

K B Spangler's Rachel Peng technothrillers became pretty much my favourite series a few years back, a charismatic lead, likeable secondary characters and plots that actually dug into the ethics of serious issues (including the issues of being a cyborg cop with a gun while hiding the fact that you're technically blind). And then she wrote herself into a corner. The Rachel Peng books tie into her A Girl And Her Fed webcomic, and a throwaway line in that decreed that two of those secondary characters had to die. And apparently she really struggled to write the deaths. But six years and multiple drafts later, Penguin is back.

I'm not entirely convinced by the way Spangler got around the deaths, Rachel is dealing with traumatic amnesia, secondary to a serious concussion and smoke inhalation plus hyperthermia, and the guilt and grief of being rescued from a fire when Jason and Phil, people she was closer to than brothers, weren't. So she has to re-investigate, in the hope that that and her notes (which no one else can read for legitimate reasons - personal braille shorthand) will jog her memory as to what really happened. The forced structure means the first few chapters feel rather clunky, but it settles down fairly quickly.

On top of all that, Rachel's home situation has gotten really complicated. Her girlfriend has moved in, but so has Rachel's partner Santino and his wife (because their house next-door is being remodelled), and they've just had twins, one of whom just won't stop crying. In addition to which Jason and Phil's widow, Bell, was installed in the spare bedroom while Rachel was unconscious, because she's potentially a target, and Bell's being guarded by Rachel's pet psychopath Wyatt, because the last order she gave him was to guard Bell. (Which was three days ago and by now Bell's thoroughly creeped out).

The plot is clever, and sneaky, on the surface they're hunting an arsonist, but there are multiple layers beyond that. And Spangler does eventually write the death scene, and it's heartrending enough I think it would have caused legitimate pacing problems in a conventional narrative. One aspect I particularly liked was Rachel's anger at people forgetting she's blind looping around to confront her with her own forgetting that Bell's grief is greater than her own.

Not the strongest entry in the series, and definitely not the place to start (that's The Digital Divide), but ultimately  worth reading, and for a book six years in the stalling, it's surprisingly topical

The Hound And Hob Pub, Seana Kelly

Werewolf/witch*/necromancer Sam and her new husband Clive, the vampire master of San Francisco (just think Clive Owen in a particularly sharp suit) have honeymooned in Paris, but now they're in England, and hunting the vampire who has been targeting Clive since the series started, a rivalry which goes back centuries, to when both were human. And then the elves get involved, and then the dragons.

It's a reasonable entry in the series, but does suffer a little from American Author In England syndrome, though Kelly does make a belated effort to try to write off Sam's belief that there are wolves on the North Yorks Moors as Sam's, not hers - which doesn't entirely ring true given Sam is 1) a booknerd, 2) a bookshop owner, and 3) a werewolf.


All I Want For Christmas is a Dragon, Seana Kelly

While Sam is off doing honeymoon-y things with Clive, someone has to keep her bar/bookshop open, and that someone is barkeep/witch* Owen Wong, who is run off his feet, but mostly he's worried that he wants to move in with his boyfriend, and dragon-shifter, George, but he doesn't know if George wants to move in with him, on top of which it's Christmas and Owen loves Christmas (even if he's technically Buddhist) and George hates it, for unrevealed reasons, plus there's George's scary grandmother to convince his intentions are honourable.  It's a novella and close tie-in with the events of the first half of The Hound and Hob Pub, and ultimately fairly slight, but entertaining for an hour or so.



Samples Sampled

Bewicched: The Seawicche Chronicles, Seana Kelly

This is a spin-off from the Sam/Clive series, with new protagonist Arwyn, who got an offstage-intro in The Hound and Hob Pub (she made the Maguffin). She's an artist and a witch with an affinity for the sea, but also a psychic, to the point that just touching someone floods her with insights - so gloves with everything. She just wants to spend her time on converting an old cannery into a gallery, but her mother wants her as part of a witch-y triumvirate with her grandmother and there's a very annoying werewolf measuring up for the new deck.

Seems entertaining enough, so I'll probably follow through and read it at some point - ideally if it's on sale.

The War at Sea 1939--45: Volume 1 The Defensive, Captain S W Roskill, RN

Oh, oh, the Official War History of the Royal Navy, and Volume 1 is 800 pages in its own right. It's probably about time I read it, given my interests, but oof, that's big! 

* I absolutely refuse to use the series spelling of wicche if I can avoid it! 

 

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The day after I got to my mother's my laptop started sending out distress signals about imminent hard-drive failure, so all the hobby projects I'd planned for filling in time while away went out of the window. (I snagged a back-up copy of all of my personal files before shutting it down and leaving it that way, I'm planning to see if my neighbour is interested in cloning the hard-drive and replacing it for me - I'd rather pay him than some stranger - but he's on holiday right now).

Which means I just spent four weeks without a laptop or other computer, which is unprecedented.

Which means I did a lot of reading, but mostly of stuff that was already on my Kindle.

Seanan McGuire books:

Toby Daye series 1-10, plus all the short stories from the web site

Incryptid series 1-4, plus all the short stories from the web site.

Indexing series 1 and 2

Velveteen series 1 and 3 (book 2 remains annoyingly out of print on Kindle)

I like them all, a lot, but I think my preferences run Toby-Indexing-Velveteen-Incryptid.

Dusk or Dark or Dawn or Day : Short standalone novel, which I recall reading in one sitting first time through and two this time, I really, really like this, but the ending doesn't quite work for me even if it is arguably the protagonist getting to where she's meant to be.

Any Way The Wind Blows: Standalone short story, apparently a tribute to Tor's old offices. Amusing, but slight.

By People Who Aren't Seanan McGuire

Goblin Fruit, Magicians Horde : Celia Lake

I'm not the target audience for these, not being a romance fan, but curiousity from all the stuff Jennett writes about writing them led me to read Outcrossing a few months ago and I picked up these two when I was able to get online at my sister's. The series elevator pitch would be something like romances in an alternative post-Great War Britain with a cosy magical mystery being the lever to force two apparently mismatched and slightly damaged people together.

Goblin Fruit has series focal character Carillon and slightly impoverished gentlewoman Lizzie Penhallow being set at the same problem - a mysterious and addictive new drink  - from different directions and literally falling for over each other mid-investigation. It's pretty good for filling in a lot of the background about the magical sub-culture in the UK and how it functions that were only hinted at in Outcrossing.

Magician's Horde has bookseller/rearcher Pross Gates, a secondary character in Outcrossing, heading to London to ask for help from the 'Research Society' into a possible historical treasure she's been hired to help track down. The society seems to have gone notably downhill since her deceased husband was a Fellow, but it does assign her its apparently least favoured researcher, the (entirely justifiably) prickly Anglo-Egyptian Isis Ward (that's a male Isis, not female). Shenanigans ensue. I didn't feel this was entirely successful in establishing its bad guys' motivations, but they're really not the point here, and the handling of Pross's almost-a-teen daughter Cammie and Isis's mid-teen sister Hypatia's reactions to their elders getting it on together more than made up for it. This is also the first time we've had a reasonably upclose view of Hogwarts Schola, the wizarding school most of the characters attended.

Deadly Vows, Keri Arthur

Lizzie Grace has been hiding from her father and her husband since she was 18 and the day when her friend and familiar Belle rescued her from rape at her new husband's hands (it wasn't just an arranged marriage, it was a forced marriage) and emasculated him in the progress.

But now defending the magical wellspring on the Faelan Werewolf Reservation has blown Lizzie's cover and daddy and hubby are coming for the inevitable showdown. On top of which there's a wierd and unidentified supernatural predator killing newly weds (though not so wierd that I didn't immediately identify it from the description - and ironically ran into another one in the Incryptid stuff a week later).

My prime criticism of these is still that it's a very white version of Australia, even with non-white characters like Belle. Six books in and I don't think we've had a single aboriginal character yet. The murder monster was probably slightly superfluous this time around given it's very obviously going to be shunted off-stage at the earliest opportunity in order to clear the decks for the confrontation with daddy dearest, which I felt was itself undermined by turning hubby-dearest into a slavering rage-monster. There's also a deal-with-the-devil decision that's probably going to be terminal for a series regular at some point in the future.

Currently Reading

The Hound and Hob Pub, Seana Kelly

I liked the Paris segment, unfortunately they've now arrived in the UK and while it's mostly minor stuff - the barman yelling 'last call' instead of 'last orders' - the author appears to believe there are wolves on the Yorkshire moors. Plus it's doing the Robin Hood: Prince of Thieves thing with UK geography, apparently Whitby Abbey is close enough to Rievaulx Abbey you can jog over in time to intervene when someone's being chased by wolves (actual distance 30-odd miles).

Spell Hound, Lindsay Buroker (A Witch in Wolf Wood Book 2)

I was a bit equivocal about continuing the series after reading book 1, but the offer of the whole five book series for £0.79 persuaded me. Newbie witch Morgen remains clueless, brooding werewolf Amar remains darkly broody, every other male character is both a werewolf and a pig and every other female character is a witch out to exploit Morgen, the werewolves, or, mostly, both.

Samples Sampled

Winter's Gifts, Ben Aaronovitch

The new Rivers of London novella, though in this case it's more snowy Great Lakes of America, featuring Special Agent Kimberly Reynolds responding to a distress call from a retired FBI agent for "whoever's in charge of the basement nowadays".  Bonus points for the X-Files reference. I may well pick this up as soon as I've cleared the books I'm currently reading.

Dying With Her Cheer Pants On, Seanan McGuire.

Fix-up novel, imagine BtvS, but with Buffy replaced by the Fighting Pumpkins cheerleading squad. I do want to read this, but might wait and see if it pops up on offer.

Feed, Mira Grant (aka Seanan McGuire)

It's a couple of decades since the zombies rose and George and her brother Shaun are intent on succeeding as celebrity bloggers, whether as a serious reporter (Georgia) or by poking zombies with a hockey stick (Shaun). Being selected to report on the presidential campaign from the inside can only help. I've been meaning to try the series for years, but never really got around to it before now. I suspect the idea of influencing people by blogging/vlogging probably had slightly more impact when these first came out.

 

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I've got a bunch of new reads to discuss at some point - everything since August if not June, but I've been doing a lot of re-reading, including all of Ben Aaronovitch's Rivers of London novels and novellas.

And mostly I've been thinking about Lesley May.

 

Spoilers for the Rivers of London through 'Lies Sleeping' )

 


 

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Captain Vorpatril's Alliance, Lois McMaster Bujold.

I'd been looking for my copy of this for months, having worked my way through most a re-read of the Vorkosigan Series. I finally found it in my laptop's Calibre library, so apparently I didn't buy it from Amazon as I'd thought. It's a fun romp. The series has mostly portrayed Captain Ivan Vorpatril, Mile's cousin, as shallow but ornamental, with the occasional hint that Ivan isn't nearly as feckless as he seems. And given by this point Ivan is the senior aide to Barrayar's military commander, he really couldn't be.

Ivan's on Komarr, staying in the local equivalent of an AirBnB, while his boss is running a bunch of inspections on the Barrayaran forces in system, when his dissolute and disreputable cousin Byerly Vorrutyer arrives on his doorstep, the complication being that Ivan knows By is really an agent for Impsec, charged with infiltrating plots involving the Vor. By's on a case, and he knows something is going to happen to a young woman, Maybe he can't save her, but Ivan's available.

Tej is working in a shipping office, quietly desperate about her situation, when Ivan arrives, claiming to want to ship a vase, and then proceeds to try and charm her into going out with him. This fails to impress, Ivan's attempts get increasingly desperate, and Tej's solution is to have him stunned by her fellow fugitive, Rish, who is blue, so they can interrogate him as a presumed kidnapper/assassin/bounty hunter. Then the real kidnappers/assassins/bounty hunters arrive.

Shennanigans ensue.

And with people beating down the door, the immediately obvious way to extract Tej and Rish, at least to Ivan's panicked mind, is for Ivan and Tej to get married.

Then the complications start.

It's a fun romp, but Bujold is possibly having too much fun with some of the sub-plots. At its core it's a rom-com about two people who end up accidentally married and then have to deal with all the complications relatives inflict on them while they try and work out how they really feel about each other, complicated by a double hidden prince gambit, and a strapped-on heist movie.

Silence Fallen, Patricia Briggs (Mercy Thompson 10)

A re-read of the last book I'd read in the Mercy Thompson series to get me back up to speed. Mercy is kidnapped by the European vampire king Bonarota, causing Adam to assemble his allies (including local vampire boss Marsilia, Bonarota's lost love) and fly off to rescue her from his Renaissance-style court. Of course by the time they get there Mercy has rescued herself and ended up in Prague having encounters with a certain legendary force of order. But then, as Coyote's daughter, Mercy is something of a force of chaos herself.

Storm Cursed, Patricia Briggs (Mercy Thompson 11)

I had a problem with the structure of this one, because once we start to see the threat driving the plot, it's immediately clear a major series character is at absolute best being put on a bus at the end (though on the clever plotting side, it also becomes clear that their replacement has been hanging over the fireplace for several books without giving the game away).

Briggs has been building up the 'Hardesty Witches' as a threat for a while, mostly in the parallel Alpha and Omega series, but this time they make a move against Mercy and Adams pack.  The Hardesty Witches are sort of a black witchcraft crime-family, so they're never going to get along with the law-and-order oriented werewolves, but it's really not clear to me what their aim was here - and it's a really high-stakes play because they're trying to disrupt a summit between the US government and the fae (who are technically at war) taking place in pack territory. I just wasn't convinced that the risk of sending the US government and its agencies after the witches was worth the potential payoff of keeping things disrupted.

Which is not to say I didn't enjoy it, but this is one where you really, really need to have read all the books that go before it to understand the forces in play.

Smoke Bitten, Patricia Briggs (Mercy Thompson 12)

One of the complications of Mercy and Adam's life is a playdate for their adoptive son Aiden means Underhill is coming to play, That's Underhill as in the personification of Faery, who is having an ongoing tantrum with the fae. Discovering she's installed a gate to Faery in their backyard really isn't the kind of garden feature that adds to your real-estate market value.

Also complicating things is that Adam isn't himself, and won't let Mercy in to find out what's going on. That takes a backseat when two of Mercy's friends turn up dead in an apparent murder-suicide, but Mercy can smell magic all over the supposed murderer, which makes it a matter for the pack. And as other people start to die, or be taken over, including more people Mercy cares for, it becomes clear that something lethal has escaped from Faery, and that Mercy has become the focus of its attention.

And in our heroes' copious spare time there's the cabal of outsider werewolves plotting a coup.

I read it in one sitting, so clearly I liked it, but given the number of times it's happened to date, Mercy really should be slightly more alert to people manipulating the Mercy-Adam relationship. OTOH what's going on with Adam is a piece of gorgeously evil plotting digging into his characterisation right back to day one. And the denouement does bring the return of an old friend.

Amongst Our Weapons,
Ben Aaronovitch (Rivers of London 9)

I really wasn't expecting that title to be a quotation, so the plot direction surprised me in a way that might not be the case for other people.

Bev is imminently due to deliver twins, so as the expectant father of two baby river goddesses the last thing Peter needs is a major murder investigation being dumped in his lap. But that's what he gets when the death of a man who was apparently in the process of robbing the London Silver Vaults turns out to have a significant magical component (him being missing half his chest is a major clue). So Peter and new Folly trainee Dannii find themselves back on DCI Seawoll's Belgravia Murder Investigation Team. Things get even more complicated when they turn up a second body, and a connection back to a small group of Charismatic Catholics* at Manchester University in the 80s. And to make matters worse, Lesley is back, and apparently involved.

When Peter goes to interview one of the other group members, now the force behind a Bodyshop expy, he really isn't expecting to find himself facing off against an apparent Angel of Death, complete with wings, halo and burning spear. The outcome is a draw, but that religious link is getting compelling.

Drastic measures are called for, which means Peter and Dannii catching the train to Manchester, with Seawoll along as local guide. Things take several unexpected turns, but we meet a familiar face, and get an insight into another aspect of the Folly's post-WWII disintegration.

But in the end this is the Rivers of London, not Manchester, so it's back to the Smoke for the final showdown with the forces of erm....

Enjoyable, even if I failed the pop-culture test. There are a couple of points about the ending that make me wonder if we won't see a time skip before the next book in the series (which is currently in 2013 if memory serves).

Plus points to Aaronovitch from me for introducing a deaf-without-speech character (and for feeling no need whatsoever to point out her partner is trans) , and for this line: "Whoever had converted the warehouse into offices and flats had clearly done it in the carefree 60s, when lifts were for wimps and people with disabilities hadn't been invented."

* The Catholic church's version of evangelicals, my old physics teacher was one.

Demon's Dance, Keri Arthur (Lizzie Grace 4)

The good news for Lizzie, Belle and hot werewolf cop Aiden is that the new reservation witch has arrived, so Lizzie and Belle can go back to being coffee shop owners, not untrained stand-ins. The bad news is that there's a skin-stealing demon on the loose, and the worse news is the new reservation witch doesn't just recognise on-the-run-from-her-family Lizzie, he's her cousin Monty. Which brings a bunch of revelations about what happened between Lizzie and her father, and forced marriage is only the start of it. It's significantly heavier on the abuse side of things than I'd anticipated from earlier books.

Telling the real story buys Lizzie time with Monty, and lances some of the tension between her and Aiden. But that demon's still out there, and it's starting to look like not just one demon, but two.

This took a darker turn than I anticipated, and I'm not talking about the demons. On the negative side I don't feel I was ever quite clear on precisely what was going on with the second demon. And Arthur definitely has a thing for putting her characters through the mangle, as of the close of this book we're now up to at least two concussions, four broken limbs and sundry burns and shrapnel injuries (plus a couple of deaths of secondary characters).

Rebuilding the Royal Navy: Warship Design Since 1945
, David K Brown and George Moore

Re-read, a history of warship design 1945 to 2002, from one of the people involved.
 

Currently Playing:

7 Days to Die: Definitely getting the hang of things. The last building I raided turned out to have an underground drugs lab, and hearing zombies banging about when I couldn't see them had me seriously freaked out.

Wordle: I finally completed my 100th Wordle - I've been playing intermittently since January.

Overall stats:

1: 0
2: 1
3: 7
4: 41
5: 35
6: 15

Failed: 1


Aaargh!

May. 15th, 2022 07:12 pm
davidgillon: A pair of crutches, hanging from coat hooks, reflected in a mirror (Default)

I woke up with a stinking headach, so have mostly been a bear of little brain. It was just starting to wear off when my sister rang about 4-ish and as we were chatting I wandered over to the window to look into the garden for the first time today. Which was when I realised 1) it was raining, and 2) I'd forgotten to bring in the three books I was reading when I had tea on the patio yesterday. Aaargh!

I was lucky. It probably hadn't been raining long, and even though they're softback the books are probably the best placed to resist getting wet of all the books I own. The paper they're printed on is coffee-table art book quality (they're a copiously illustrated book-format aviation magazine), and the soft cover is similar, and possibly even plastic coated. There was some slight buckling at the edge of the top one when I grabbed them, but all they needed was a quick wipe with a towel and they were fine. The top one is now the bottom one to weigh it down and it looks like I've gotten away without even the buckling.

Timely call, sister dear!

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I'm headed up to see my folks at the end of the month (Easter trip postponed to Whit given a poorly timed bout of Covid on my brother-in-law's part), so went onto LNER's website to book the ticket on Monday night, at which point I was slightly disconcerted to be see:

1) in the left-hand column a confirmation that I'm a wheelchair-using passenger intending to stay in their chair throughout the journey,

and

2) in the right-hand column, almost exactly opposite, a warning that I may have to 'stand' on the connecting services*.

Slight lack of joined-up thinking in the website design there, I feel! **

* The connecting services don't do reservations, and one is a London commuter line, so the warnings aren't unreasonable for actual ambulant passengers, but we wheelchair-users have spaces all of our own.

** It's not the only issue, the time it allows to walk between stations if your journey needs that (St Pancras to Kings Cross in my case) doesn't allow for the extra 5-10 minutes needed to get off the incoming train if you need the ramp and the 20 minutes you're supposed to allow for passenger assistance at your outgoing station. But the standing thing is new.

Recent Reading

What Abigail Did That Summer, Ben Aaronovitch

This is a Rivers of London novella*, but from the point of view of Peter Grant's 13yo cousin Abigail, who makes up the youth wing of the Folly (aka Falcon, aka the Met Police's tame wizards - though Abigail has to pass her Latin GCSE before she gets to learn any spells). It's the summer holidays, and Peter's out of town helping on a missing persons case (and having encounters with homicidal unicorns - see Foxglove Summer), while Abigail's mother has a full-time job looking after her disabled brother, so Abigail is pretty much being left to her own devices. Until, that is, the espionage-obsessed talking foxes seek her out to tell her that something's amiss on Hampstead Heath (a large London park)**. And Abigail quickly figures out that whatever it is has already tried to suck her in, and, separately, her new friend Simon. So it's up to Abigail, Simon, and Indigo the fox to figure out what's going on.

Abigail's a pretty compelling, and convincingly written, character (there are footnotes to explain the slang, framed as for the Folly's tame FBI agent). It's very easy to accept that a streetwise, very intelligent, 13yo, mixed-race Londoner is going to give most police a very wide berth, or the minimum of (false) information necessary to get away, which makes Abigail taking on the problem herself convincing enough. There's only a brief appearance by Nightingale and not a lot of the Rivers here, bar a short audience with Fleet, but the covert female strand of wizardry does show up. Overall it's a strong addition to the series, though I foresee future issues between Nightingale and Simon's mum.

* At 175 pages short novel may be a better description.

** We're actually dropped into the story in media res, but loop back to the start almost immediately.

Werehunter, Mercedes Lackey

I actually pulled this off the shelf while I was winnowing a few books to go to the charity shop, but ended up reading it instead. It's a collection of short stories and I wasn't really taken by the title story, which may be why I didn't remember it favourably. There are a handful of other stories I was a bit meh! about, but another nine I did like, which is a reasonable ratio. Four of those revolve around S'Kitty, a telepathic ship's cat, and her handler as they deal with a bunch of aliens who have a vermin problem. They're not going to win any prizes, but they are enjoyable. The one Valdemar story deals with how Alberich, the Herald's Karsite weaponsmaster, was Chosen. There are two Diana Tregarde stories, one fairly slight encounter that's really, really not kind to the (thinly disguised) Romance Writers of America. I suspect revenge fiction. The other is reasonable, and went on to be the basis for her novel Children of the Night, but some of the language has not aged well. And the last two are a sort of junior Victorian paranormal investigator series with two girls (one an ex-streetkid) and a parrot at a school for the children of those working in the colonies, whose principal is an acknowledged Diana Tregarde expy. Again there are some language aging poorly issues, but they're otherwise sound enough. Their main issue is an egregious outbreak of Dick Van Dyke Cockney.

Hells Bell, Keri Arthur

Book 2 of the Lizzy Grace series and runaway-witch Lizzy and werewolf cop Aiden are fairly desperate to have sex, but ghostly bells summoning Lizzy to find a dead body with its soul ripped from it throw a major spanner in their plans. So Lizzy and her partner/familiar Belle have to step in again given the werewolf reservation's lack of a resident witch to protect its magical wellspring. It possibly plays the "Oh, bugger, we can't have sex, they just found another body" gambit once too often, but otherwise it's an enjoyable outing and the addition of grump witch troubleshooter Ashworth to the cast is a positive step.

Hunter Hunted, Keri Arthur

Book 3, and Lizzy stumbles onto someone conducting blood magic of the worst kind, the kind that leaves a body behind. The witch hierarchy that practically runs Australia call blood-magic using witches heretics, and has an agency to hunt them down, which is just as well as the wellspring decides Lizzie is just the person to turn to when someone starts hunting and skinning werewolves. On the positive side there's just time between the two crimes for Aiden to finally get her into bed. But when the heretic starts hunting the hunters, it turns out Lizzie really isn't going to get away with concentrating on the less dangerous threat.

Another competent episode, and after the previous book's addition of grumpy Ashworth I really liked the addition of his (non-grumpy) husband Eli.

Recent Gaming

I've been playing a fairly ridiculous amount of 7 Days to Die and my adventures in zombie AI wrangling continue. Over the past three horde nights:

Day 77: This week's preparatory changes were stringing a couple of rows of barbed wire down the sides of my base, and fortifying the stairwell up to the ground floor proper/mezzanine should they manage to beat their way into the cellar. Rather than attack me at the (almost) open front door all the zombies still charged up to the sides of my base, into the barbed wire and set about trying to beat their way through the fencing at the side (5000 damage points per block) that keeps them out from under the balcony. I had great fun when I discovered that they would come to stand below wherever I was standing on the balcony, wading through the barbed wide to get there, so I spent horde night running from front to back and vice versa, and taking potshots at the zombies as they tried to keep up with me and the barbed wire slowly whittled them down from below.

Day 84: I doubled up the side fencing to two layers. And this time I got the zombies to the front of the house, where they promptly tried to beat their way through the fencing under the balcony, which was still single layer there. *Headdesk* 

On top of that the World War Z style zombie pile-on at that corner was reaching the point that it was threatening to overtop the fence on top of the balcony, even though that's the in-game equivalent of four metres off the ground. So I rushed out to the projecting bastion and started shooting out the bottom of the pile, which was the moment I glitched through the balcony, down onto ground level with the zombies.

I'd hosed off three full magazines from my AK-47 in a panic before I realised they couldn't get to me, that I was still safely inside the double layered fencing under the bastion and they couldn't reach through to me. Which let me finish horde-night in a much more leisurely fashion. On the gripping hand it took me 5 minutes to beat my way out with an axe in the morning.

Day 91: This time I upgraded the fencing to two layers all around the base, and three in places (and put escape hatches in the floor/roof of all of the bastions in case of another glitch). I think that makes a minimum of 15,000 points of damage to beat their way into the base at ground level (and zombies mostly do 10-20 points per hit). And it worked, they finally came for me at the front door.

Gulp.

They still didn't come quite the way I'd expected. They came up a couple of side staircases that need an awkward jump, rather than up the nice simple ramp they were supposed to use (and I'd forgotten to pull up the temporary planking over the pit of barbed wire that was supposed to force them onto awkward balance poles that they will fall off half the time). And for the fifteen minutes of horde night I was firing pretty much continuously trying to keep them back. Of five layers of barricade they'd beaten their way through two and were regularly hurdling the third, simply because I couldn't fire fast enough to kill them to give me time to repair the barricades. At one point they actually got all the way in and almost killed me before I managed to hose them down with the AK-47. I ended the night with 6 rounds of rifle ammunition left out of just shy of 200, and had also used about a hundred each of pistol and shotgun ammunition. Eeep!

First thing I did the next morning was beat down those side staircases, then rejig the front of the base with a completely enclosed corridor with five layers of main barricades and two fall-back ones, all completely enclosed so there'll be much less of this hurdling barricades next time. But I really need better weapons!
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Chanur's Legacy, C J Cherryh (re-read)

It's 10 years on from the Pride of Chanur trilogy, and Hilfy Chanur is pissed off with everyone judging her against her aunt's reputation - Aunt Pyanfar being President of Compact Space, the Mekt-Hakkikt of the Kif, the Personage of Personages of the Mahendo'sat, and so on. She's also personally pissed off at Pyanfar for kicking her off the Pride post-Trilogy, because Hilfy was far too interested for her own good in the Human stray, Tully. Py made Hilfy head of clan Chanur to keep her ground-bound, which she screwed up by picking a disastrous, if pretty, husband, which her aunt Rhean had to fix by bringing in a Hani male of the old school - the old school being a muscle-bound hulk who can kill any adult male who even looks like he might grow up to be a threat without needing to engage his brain, and leave it to his wives, sisters, daughters and nieces to run the clan.

Hilfy fled back to space by appointing herself captain of the clan's new ship the Legacy, which is the one thing she's truly qualified to do - not to fly it, she has her four cousins for that - but to run the interactions with the other species of Compact space: the ape-like Mahendo'sat, the piratical Kif (about whom she has an incipient case of PTSD), the fragile Stsho and the barely understandable, multi-brained methane breathers, the Tca with their pets/symbionts/partners? the Chi, and the incomprehensible Knnn (who don't show up this time around). So when the Stsho governor of Meetpoint Station invites her for tea and opportunities she's perfectly willing to engage, and comes away with a contract that seems too good to be true - all she has to do is transport the oji, a Stsho religious object of some sort, to the Stsho ambassador at a neighbouring station, and the payoff is so generous it will get the clan out of debt for the Legacy's construction. And will she do the governor a minor favour and take on a Hani crewmember abandoned by their ship after a fracas on the docks?

Hallan Meras is that abandoned crewmember, or more specifically crewman, being one of the handful of Hani to have taken up Pyanfar's dangerously radical concept of Hani males actually being quite capable of being spacers, not killing machines. Hallan is very young, very confused and it's never entirely clear how much the crew of his former ship were using him as a novelty sex-toy rather than an actual spacer (and for 'spacer' read general dogsbody). There's no way Hilfy is leaving a Hani of any gender alone on an alien station, but she's adamant that he's not staying, whatever her cousins might think. Not even if he is huge and pretty and far too innocent to ever be a successful killing machine.

And besides, she's beginning to think she might have a bigger problem, because the contract for delivery of the oji turns out to be 240 pages of small-point size Stsho legalese, 550 allowing for alternative translations, and 28,400 if you include the ship's computer's legal commentary, and the penalty clauses for delivering it to the wrong Stsho are ferocious (to which add the complication that Stsho don't just change gender under stress, they potentially change identity). Things get worse when they get to their destination, because the entire Stsho embassy has upped-sticks and fled, and following them on to the next station only finds most of them dead. At which point Hilfy begins to realise she may have dumped herself right in the middle of Py's gods-rotted politics, with a plot that involves not just the Stsho, but a Mahendo'sat agent who claims he's only here to help her, and an enigmatic Kiffish Hakkikt who keeps wanting to talk via Hallan. And meanwhile Hallan keeps tripping over his big feet and breaking things, and the youngest of her cousins is spending half her time dreaming about him, and the others do think that maybe she shouldn't be too quick to throw him off the ship....

Hilfy is a convincingly angry protagonist, judged against a paragon she can't hope to equal, yet capable and driven to succeed in her own right, but still tangled in the emotions of what happened on the Pride, while Hallan is the convincingly naive young man, all too eager to please, while trying to parse out whether the individual crew members tolerate him, like him, or are out to exploit him.
 
I'd forgotten how really good this is, but you do really need to have read the Pride of Chanur trilogy first to get the full depth of the story. It's Cherryh in her deep-dive into alien mores mode, which she does better than anyone, but it's also at least halfway to being one of her stories where our viewpoint character is caught in the orbit of the true protagonist, the twist here being that Pyanfar never actually appears outside of Hilfy's in-jumpspace dreams. And mixed in with that are the crew dynamics of an all-female crew suddenly finding themselves with a very pretty male aboard. 

 

Currently Reading: Hell's Bell, 2nd of Keri Arthur's Lizzy Grace series. In which inconvenient bodies keep coming between Lizzie and getting into bed with handsome werewolf ranger Aiden.

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Exodus, Steve White and Shirley Meier

I've been re-reading odd bits of the David Weber and Steve White Starfire series while thinking about the associated game rules (the game came first, with Weber honchoing the third edition before he made it big as an author). And I came across a reference to White having published further books in the series. It turns out there are actually four more, apparently two linked duologies, one book with Meier and three with Charles Gannon. So I decided I'd pick up the first one for my Kindle.

And it would have to be the Kindle, because that cover is so bad I would have been embarrassed to buy it in store, or have it on my bookshelves. The book introduces a new species, the Arduin, who are basically humanoid, but specified as having three eyes, one large above two small, no nose, and with limbs that are somewhat tentacular and hands that are very tentacular. They're also bald, and are called "Baldies" by the humans throughout the book. So our artist interpreted this as an extremely well-endowed woman, wearing strategically-draped minimal clothing, with conventionally jointed limbs, though they do have the tentacular hands. And if you look closely you find that there is actually a third eye squeezed in at the bridge of the nose, which is covered in Star Trek Klingon brow-ridges. And god knows if she'd bald or not, because she's wearing an extremely ornate headdress, and I can't swear that part of it isn't supposed to be antennae. About the only thing the artist got right is that she has gold skin, And the '50s era looking blocky starships visible over her shoulder have tentacles extending out of their bottoms. ?!?

It is just so obvious the artist has taken a pre-existing image of a half-dressed woman and painted over it. *headdesk*

Unfortunately the writing also leaves something to be desired. It's basically the plot of the first Weber/White Starfire novel, Crusade, all over again - unknown species appears, decides they have a religious casus belli against all humans and launches a genocidal war egged on by corrupt churchmen while one alien leader wonders 'Are we the baddies?' And I was just complaining last month about Weber having used this plot three times already. There's actually some reasonably decent writing and characterisation, which is probably helped by most of the human characters being retreads from Insurrection, the last novel in the Weber-White timeline (though written second), even if they are, mostly, 80 years older. But some of the writing is just plain bad. One of the established major civilisations appears to have been put on a bus, while there's a supposedly important sub-plot about human resistance on an occupied planet that gets precisely three scenes, and if you are having two of your military characters lament about no one studying military history any more, do not mis-spell the name of Erwin Rommel. And for experienced military SF writers, the authors seem remarkably hazy about the appropriate ranks for characters.

But "Irwin Rommel" is not the only spelling or layout error, this is a book that literally talks about "armerments", and where every scene break indicator has gone AWOL, so you suddenly find yourself out of one character's POV and in that of someone on the other side, on a different planet, and months later.

It's just plain bad. The only way I could recommend it is if you were looking for additional background for the game, which basically I was, but still. (Though I did finally work out whether it was Weber or White who has a thing for short women, it's White.)

I also downloaded the Kindle sample for the next book, Extremis, with Gannon replacing Meier*. Which opens with a stirring speech with the (extremely short) resistance leader telling people "You're all marines now, and you'll use marine rank whatever service you came from". Which might have been more impressive if she wasn't a character whose rank was, and is confirmed immediately post-speech to remain, the naval rank of Commander. (Also, no civilians in the resistance?) *le sigh*

* Changing co-authors mid-duology is probably never a good sign.

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I sat down this afternoon to try and set up my replacement hard-drive - I've had it for over a week but the packaging was still unopened as I just haven't trusted myself to handle it safely while having a flare that was making my manual dexterity even worse than usual. After a couple of hours searching for a missing power-brick - turned out to still be in the other six-way socket block even if nothing was attached - I settled down to check the status on my various external hard drives and was stunned to find the one I thought I'd beaten to death against the edge of my desk, and the reason for the new hard-drive, is now actually working again. I'm not certain how reliably - so far so good, but in the longer term? - but I've been able to confirm that the only thing on there are my steam libraries and other gaming related stuff (I thought that was the case but wasn't 100% certain). So that means I haven't lost every save game from years of gaming, plus hundreds of hours of fiddling about with stuff. Plans were rapidly rejigged to ensure I have back-ups from that as first priority. The new drive will instead be used for rebuilding the Windows disk of my desktop.

Recent Reading:

The Wicche Glass Tavern, Seana Kelly

I'm still looking askance at the spelling choices, but mostly this book is about witch/werewolf hybrid Sam finding someone to teach her how to use her newly discovered skills as a necromancer, while simultaneously finding out that her homicidal aunt is back in town and set on driving anyone she can get her claws into to attack Sam at first sight. Oh, and Sam banging her vampire fiance Clive at every opportunity. There's a fairly ruthless plotting decision that I have problems with, not just because it is so clear an attempt to pump up the melodrama levels, but because it ultimately turns into an unseen deus ex machina that seriously undermines the climax.

Overall it's a fun series, but nothing earthshattering.

Blood Kissed, Keri Arthur

I'd not read anything by the author before, but OMG she's got a lot of books out there now I look! Her thing seems to be Australian-set urban fantasy/dark romance. This one is the first of the 'Lizzie Grace Series', with Lizzie being your typical underrated heroine with a complicated backstory. As the story opens she's running a newly opened cafe in the small town at the heart of the local werewolf reservation. Among the cafe's offerings are psychic readings, because on top of being a witch Lizzie has psychometry skills, and her business partner and best friend Belle is a witch, telepath, talks to the spirits, whips up a mean potion, and is also Lizzie's familiar (and human familiars are unheard of). And despite two set of rare talents and one absolutely unique combination they've been successfully hiding themselves since they were 18 or so. Hmm!

Despite having some suspension of disbelief issues with their backstories, I did actually like this a lot. Lizzie and Belle are relatively powerful, but they aren't killing machines, and they're both very personable. Lizzie and Belle just want a quiet life, that whole hiding thing, but they can't turn away a desperate mother who needs Lizzie's psychometry skills because her daughter has disappeared, even if it means Lizzie heading out to confront an unexpected vampire on her own. Unfortunately she's too late, and that means she's standing over a dead body when local Ranger (werewolf cop) Aiden turns up, he of the tall, rangy body and the dark blond, silver streaked hair. And as soon as we find out he hates witches its obvious he and not-currently-looking-to-date Lizzie are fated to spend the series orbiting each other.

Okay, there's a lot of predictable formula at work here, but it's well-executed formula. I only really have two quibbles - my issues with the back story, and the fact that this is an awfully white Australia. There's an Asian character who appears briefly before being put on a bus ambulance, but apart from that the only non-white character is Belle, who is described as 'ebony skinned', though it seems extremely unlikely she's Aboriginal. OTOH the physical description of the Australian bush seems pretty good.

I briefly looked at the Kindle samples for the first books in a couple of other of Arthur's series and there are definite common threads in the set-up. I'm not sure if they share a common setting or not, but it seems possible, and there are thematic links if not - Australia, a near future urban fantasy setting, and sexy werewolves. Worth a look if urban fantasy or dark romance are your things.

A Call to Arms, David Weber, Timothy Zahn (and Thomas Pope)

"Book 1 of Manticore Ascendant". So the foreword explains this is basically Tim Zahn writing in Weber's Honorverse, but should really have Thomas Pope's name on it as well, because he's Weber's continuity expert for the Honorverse, but it was left off as a marketing decision. Hmmmm.

The setting is the early years of the Manticoran Navy, and having beaten off one threat a few years ago so that Manticore can live in peace the Navy is now facing internal demands to build down its strength (despite most of that strength already being in mothballs), particularly from Earl Breakwater*, the Chancellor of the Exchequer, a powerful faction leader in the House of Lords) who wants to subsume it into the Customs Service, which just coincidentally reports to him. Into this scenario wanders Travis Long, an 18yo who is deeply dissatisfied with the lack of discipline in his life. Yes, you read that sentence correctly, Travis is an 18yo who is uncomfortable because there aren't enough rules to restrict what he can do. Having unknowingly let himself be cast as the getaway driver in a jewellery heist, Travis escapes the consequences because they parked outside a Navy recruiting office and he wandered inside to ask what the Navy was like. He's not sure he's completely happy with the idea of joining the Navy, but he's definitely sure he doesn't want any part of the jewellery heist's mess.

So we get the standard boot camp montage, and while there are now more rules in his life, Travis is horrified because people aren't committed to following them. And there's more evidence of venial nobles, because the Navy aren't being allowed to feed the genetically modified part of their recruits enough to live on because some noble is convinced it'll somehow lead to enhanced team bonding. And an officer with noble connections is out to get Travis because he keeps reporting that the officer is letting people cheat in their exams (given those exams are on running drive systems he may have a point). And then there's Travis's half-brother, Gavin, Baron Winterfall, who is being used by the evil vizier, sorry, Chancellor of the Exchequer, to popularise his policies with the younger elements in the Lords, and who keeps suggesting compromises that the Navy can't avoid, but which ultimately further Breakwater's plans.

Breakwater's initial scheme is to turn the Navy's nine mothballed battlecruisers into eighteen Customs Service frigates by cutting them in half** - after all, they may as well take advantage of all those multiply redundant systems even if the resulting ships will look a little odd. Producing an initial prototype takes a year or two, and by that time Travis is in space as a junior technician and on the spot when first an asteroid mining ship has a time-critical failure, and then the new Customs frigate has an oopsie. At which point the rules-loving, flexibility-hating Travis suggests an out-of-the-box way to save both ships. And a couple of officers take notice, even if the captain won't.

Fast forward another year or two and that gets Travis dragged along on a mission to the Republic of Haven, and again there's a disaster and Travis the rules-loving technician gets dragged into the decisions by the actual officers because of his ability to think outside the box.

You can possibly tell I had a problem with the protagonist. I don't know what Zahn is trying to do with Travis, put him up there as a poster boy for all kids really want discipline? But it really didn't convince me. Okay, I'm psychologically predisposed to only thinking rules are important if they make sense, which is practically the opposite of Travis, but I'm really struggling to see where he wants him to develop, and there wasn't a tremendously clear character growth in this. The other thing to annoy me is that this more evidence of Weber recycling plots*** until they've been washed clean of the last fraction of innovation - this is a re-run of parts of House of Steel (the novella in the Honorverse companion) and of the build-down under the High Ridge government in the main Honor Harrington series.

It's an okay read, and the last third is genuinely good once it forgets about the politics, but.....

* Let's not make our nominative determinism too blatant.

** Back-End/Front-End, not lengthways

*** As another example he's done war with a bunch of religious fanatics following a falsified gospel at least three times over, (Crusade in the Starfire series, Heirs of Empire in the Dahak series, and the whole Safehold sequence).

 

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Dead Lies Dreaming - Charles Stross

This is the first in Stross''s new sub-series in his Laundry Files universe (the second is now out, so the first dropped to a price I'm prepared to pay).

It's Christmas and four Alfar warriors are crucifying a Santa on Regent Street - or in other words Case Nightmare Green is in effect and the stars haven't just come right, Nyar Lat Hotep is now PM, there's a skull rack decorating Marble Arch and the old judicial code, the one Hanging Judge Jeffries was so fond of, is back in effect. Which makes blaggng the day's pre-Christmas takings from Hamleys while dressed as the Joker, Batman, Robin and Princess Shuri somewhat risky, but it helps when you are a transhuman and really do have superpowers (courtesy of said stars coming right). Which is our introduction to the Lost Boys, Imp, who wants enough money to film a cyberpunk Peter Pan, Doc Despair, Becca the Deliverator and Game Boy, whose panic disorder is perhaps less than ideal for being part of Imp's plan, but whose physical timing is flawless.

Meanwhile Eve Starkey is deliberating on the alternative uses of kitchen utensils and stuck being sexually abused by her boss, billionaire hedge-fund owner Rupert Bigge, who I rapidly started picturing as Boris Johnson. While across town ex Detective Constable Wendy Deere is getting an unexpected promotion off her zero-hours contract doing security in order to become Able Archer*, Hiveco's first transhuman thieftaker, and Hamleys have thieves they want taking.

It's rapidly clear that pretty much everyone but Rupert is being exploited and/or double crossed in one way or another, with the Lost Boys at the bottom of the pyramid. But there's a book Rupert wants, no matter who he has to kill for it, a reputed concordance to the Necronomicon that could be really useful to a cult high priest like him, particularly one who backed the wrong deity to manifest first, And what Rupe wants, Eve needs to get, and it just so happens she knows an Imp of a thief.

I don't think you need to have read Stross's Laundry Files books to know how we got to Case Nightmare Green and how the book's universe works, but it certainly won't hurt. I liked this a lot, but more the set-up than the denouement. The denoument has no less than six separate factions, seven if you count Tinkerbell (because the Peter Pan references extend significantly beyond the Lost Boys and Wendy Deere), and I definitely lost track of people,

(And on top of that I had definite suspension of disbelief issues that no one in a genre-savvy team like the Lost Boys protested when they decide to split the party!).

With that caveat, I think Stross deserves credit for some of the characterisation work, I didn't expect to end up caring for Eve and I think he does a particularly good job with Game Boy as an abused trans kid. (It's noticeable that all the unambiguously not-evil characters are LGBT**),

* That name is not reassuring, It's appropriate for reasons that become clear, but Able Archer 83 was the NATO exercise that nearly caused the Politburo to launch a preemptive nuclear strike in the belief NATO was about to storm across the Intra-German Border

** I suppose Rupert could be called bi, but I think it would be more accurate to record his sexual identity as abuser.

British Secret Projects: Fighters 1935-1950, 2nd Edition, Tony Buttler

I bought the first edition of this 15 years ago, and have probably read it a dozen times since. It's the story of all the planes we didn't build in WWII, but that first edition was Fighter and Bombers 1935-1950, and for the second edition they've split the book in two and doubled the page count of each half. There's a lot of unchanged text, and quite a lot that's new, but mostly there's a lot of new pictures and diagrams, mostly excellent, though a few are in terrible condition, but worth a place as the only known illustrations of their types, Overall there's more than enough here to leave me thinking I got my money's worth even with everything I've seen before. I'm not surprised that quite a few more projects have been dug out of the archives over the course of the last 15 years, but I am surprised that several of them are previously completely unknown Spitfire projects. I will be picking up the Bomber 2nd edition, but probably not immediately as I'll definitely be dipping back into this for a while yet.
 

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A Desolation Called Peace - Arkady Martine

The sequel to A Memory Called Empire. Having achieved her mission of setting the all-engulfing Empire of Teixcalaan at war with the unknown power nibbling on her space station home's borders, Mahit Dzamare has fled home before she's herself engulfed, but finds all of Lsel Station's leadership want to know what's going on inside her head, and if that means brain surgery, then so be it. Meanwhile, back on Teixcalaan's capital planet, Three Seagrass (aka Reed), Mahit's former liaison and now an undersecretary in the Information Ministry (aka a senior spy) takes receipt of a plea for an expert on talking to aliens from the Teixcalaani fleet, and decides she and Mahit are the best candidates for the job. Being Reed with an idea, this means her talking very fast at everyone she encounters, and leaving them steamrollered in her wake.

I didn't like this quite as much as A Memory Called Empire, but that doesn't mean that I didn't like it a lot. Not only are Mahit and Reed back, but there are a couple of new and interesting characters with the Tleixcalaani fleet, and we also get a substantial chunk of Teixcalaani politics via Eight Antidote, the 11yo clone of the former Emperor and likely future Emperor. The problem for me was structural, in that the resolution bypasses Reed and Mahit.

OTOH we're pretty much promised a third book from something Mahit says to Reed, and I'll be queuing up for that.

To End in Fire - David Weber and Eric Flint

I thought Weber was done with Honor Harrington, but I'd forgotten the spin-off series with Eric Flint. The Grand Alliance may have hammered the Solarian League in record time, but the Mesan Alignment, the slave-trading eugenicist bad-guys responsible for the last 20 (30?) years of war are still out there, and all the intelligence types are still looking for them, And their hidden base. Utterly bizzarely the story has a single major new character, the Solarian Leaugue's new spy-chief, who is basically a Marty Stu (he's repeatedly called a genius) of Flint's frequent collaborator Charles E Gannon. He's even called Charles E Gannon?!?

The plot is completely predictable, the spies and analysts narrow down the physical  patch of space where the bad guys can be and then hand the problem over to Honor to blow up their not so little evil base, But there's something off for me, the whole thing feels rushed, even to the point of having Honor go into premature labour to get her back in the saddle a couple of months earlier, which pretty much times the whole plot to that point at under seven months, even though it can take months to get from place to place. One character even completely regrows a leg they lose in the course of the plot within those seven months, including post-regrowth physio. Yet there's absolutely no reason that I can see for the compressed timetable.

And there's at least one more book to come, because that was only the bad-guy's secret base, the good-guys don't know about the secret secret base yet.

Fighting the Great War At Sea - Norman Friedman

Wow, this one was heavy going, I think it took me a full month to get through, reading most days. The length isn't excessive, either 320 or 416 pages in the print edition depending on whose website you believe (though that's A4 pages), but it's a very dense book. As is normal for Friedman, about a third of the length is footnotes, often just a citation, but just as frequently 3 and occasionally 4 kindle pages of text. But it was heavy going because of its depth and I've come out of it finally understanding what was going on with Fisher's Baltic Project and the truth about Winston's competing desire to invade Gallipoli - yes, Winston was all for the Gallipoli landings, but so was the entire War Cabinet and Winston took the historical fall for all of them as the junior member.

And oh, dear God, Asquith*. I was vaguely aware he was discussing Cabinet affairs with his lover Venetia Stanley, I wasn't aware it went to the level of "We've been seriously discussing the invasion of Borkum, we've agreed always to refer to it as Sylt, but we really mean Borkum"

* aka the Prime Minister,

Definitely only one for the serious naval history fan, and it might more accurately be titled Fighting the Great War in the North Sea as coverage of the other theatres is minimal.
 

davidgillon: A pair of crutches, hanging from coat hooks, reflected in a mirror (Default)

Given ongoing computer shenanigans I finally dug out my old laptop and powered it up earlier, and it's actually working better than it was when I stopped using it in early pandemic. It still needs a new keyboard, but it has at least stopped sending out spurious characters at random and a plug in keyboard works fine. As my plan if it was still imitating an infinite number of monkeys was to unscrew everything in sight and physically disconnect the keyboard, this is a bit of a relief (of course sod's law says that I happen to have the version with the most complicated disassembly in the whole range).

I've also relocated it to my computer desk as sitting cross-legged on my bed all afternoon has not done my hips any favours. Ow.

So hopefully I'm now safe (I'll give this one a day or two just to confirm it's working reliably) to sort out the profile issue on the other laptop, and then use one or the other to get back to the disc recovery for the desktop I was trying to do way back in October.

In other news, I finished Katherine Addison's Witness for the Dead last nigtht (which I picked up for a ridiculous £0.99 during Black Friday), and OMG, so good! Celehar, the Witness Vel Ama who had a minor but vital role in The Goblin Emperor is now back out among the people and doing the job he trained for as a priest and witness for the dead, but has two thorny problems, a burial a family member thinks might have been a murder, but he where can't find the grave, and the second a body pulled from the river, which his ability to witness tells him was definitely a murder. The two cases intertwine through the book, as does a messy case of 'but papa said I was to inherit' among one of the wealthier families of the city. I was a bit worried the story was flying off at a tangent mid-book, but Addison wove that thread neatly back into the main story.

I just ordered a book for my mother she wants as a present for my sister. I wasn't sure what it was about, some piece of local history and my mother apparently knows the author, but having now seen the tag line I'd definitely have given it a second look "Shabby Wedding : the true story of Mary Jane Dodds, married twice, buried twice, and both her husbands hung". That's definitely an interesting opening!

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Recent Reading

Penric & Desdemona Series - Lois McMaster Bujold

There's a new one out, Knot of Shadows, and reading it prompted me to re-read the complete series. They hang together well, though there are still a couple of gaps of five or six years in Pen's timeline that could be usefully delved into. I'd really like to see more from the year Pen spent studying with the Wealdean Royal Shamans, and being drinking buddies with Shaman Inglis and Locator Oswyl. And Pen at Seminary has many possibiiities - he's mentioned stabbings over library books often enough.

Knot of Shadows picks up the narrative about six months after the end of The Assassins of Thasalon, with Pen now a father for the second time. He's hoping for a nice quiet day in his study and out of the winter rain, but as usual he has the Bastard's own luck. This time its another possession, but the weirder kind, where someone's Death Magic/Miracle has left a body available to be possessed. But death magic victims come in twos, the caster and the person they were desperate for justice over, so where's the other body? It's up to Pen and Des, now backed up by trainee sorcerer Alixtra and her demon Arra, to figure it out. This is a bit grimmer than most of the other Pen and Des taies, to the point I went back and checked whether it was published on Halloween - the answer is not quite, it was out on the 21st. (Content Warning/Spoiler) )One thing I particularly liked here was that even after he's solved the mystery, Pen keeps pushing at it because he doesn't quite understand the theology behind why Death Miracles work for some and not for others. He does work it out, and it does absolutely fit within the theology of the Bastard's role within the Five Gods, though I must admit to being slightly uncomfortable with it wrt my own views on morality.

Recent Gaming Reading
 

Warhammer Fantasy Roleplay - Games Workshop/Cubicle 7

I picked up the WFRP Humble Bundle last month, which dropped almost 50 books into my account for only £22, and I've been slowly working my way through them. (I never bought any WFRP stuff back in the day, but I was familiar with it from reading White Dwarf magazine). The bundle was essentially the Cubicle 7 reprint PDFs of the WFRP 1st Edition Rulebook, and almost everything ever published for Second Edition, plus a big chunk of Cubicle 7's new 4th edition stuff (3rd Edition apparently went off at a tangent). I've concentrated on reading 2nd Edition for now, and I'm actually tremendously impressed, it's some of the best games writing I've seen. Which I suspect is because they sat down and planned all of the supplements as an integrated whole in advance. I think there's still some holes in it, none of the editions really seem  to have gone into the Elves and Dwarfs in as much detail as they deserve - if you randomly roll a character there's only a 2% chance it's a Dwarf and a 1% chance it's a Wood Elf, which are probably overdoing it on a demographic basis, but the Dwarfs, particularly, and the High and Wood Elves to a lesser degree, are significant forces in the world of the Empire. And when I say Empire, that's an expy of the Holy Roman Empire, WFRP isn't your traditional high fantasy medieval setting, its early Renaissance in setting.

But I do have a problem with the setting, which a little vignette in the Nights Dark Shadows vampire sourcebook sums up for me:

"You can’t throw a rock in a crowded platz without it bouncing off two Vampires. And three Daemons.” —Mad Henrik, vagabond"

Make that one vampire and four demon cultists and you've nailed the setting. Pretty much every adventure has a chaos cult in it somewhere, and the overwhelming majority revolve around one. And GDW's chaos gods and demons just don't work for me. I will say that even Tome of Chaos, the chaos sourcebook, had tons of stuff I thought was interesting and extremely well written setting development, but their main thrust leaves me meh. (Imagine it as the Burning Times, with the Inquisition turned up to 11).

4th Edition has exactly the same setting, but somewhat revised rules - I think I prefer 2nd Edition, though I haven't gone into the playability of either in detail, 2nd just seems to have more of a clue about making characters fit the setting. Other than that the bundle dumped a whole heap of small adventures on me - Cubicle 7 have been releasing lots of £2.50 - 3.50 15-30 page adventures, most fitting in the campaign setting they released alongside the rules, which has the characters based in the unsettled frontier town/city of Ubersreik. At a quick skim it's an excellent basis for a campaign, with lots of factions vying for power and looking for a few deniable assets to hire. The other thing they've been releasing is an epic campaign - Death on the Reik. if you buy everything for it, then I think it'll run to about 1,300 pages and cost you over £100 (and that's for the PDFs, not print!). They made sure to give you the first installment in the bundle just to lure you in....

OTOH any RPG that announces its main themes and declares one of them to be "The class struggle" can't be all bad.
 

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David Gillon

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