davidgillon: A pair of crutches, hanging from coat hooks, reflected in a mirror (Default)

The day after I got to my mother's my laptop started sending out distress signals about imminent hard-drive failure, so all the hobby projects I'd planned for filling in time while away went out of the window. (I snagged a back-up copy of all of my personal files before shutting it down and leaving it that way, I'm planning to see if my neighbour is interested in cloning the hard-drive and replacing it for me - I'd rather pay him than some stranger - but he's on holiday right now).

Which means I just spent four weeks without a laptop or other computer, which is unprecedented.

Which means I did a lot of reading, but mostly of stuff that was already on my Kindle.

Seanan McGuire books:

Toby Daye series 1-10, plus all the short stories from the web site

Incryptid series 1-4, plus all the short stories from the web site.

Indexing series 1 and 2

Velveteen series 1 and 3 (book 2 remains annoyingly out of print on Kindle)

I like them all, a lot, but I think my preferences run Toby-Indexing-Velveteen-Incryptid.

Dusk or Dark or Dawn or Day : Short standalone novel, which I recall reading in one sitting first time through and two this time, I really, really like this, but the ending doesn't quite work for me even if it is arguably the protagonist getting to where she's meant to be.

Any Way The Wind Blows: Standalone short story, apparently a tribute to Tor's old offices. Amusing, but slight.

By People Who Aren't Seanan McGuire

Goblin Fruit, Magicians Horde : Celia Lake

I'm not the target audience for these, not being a romance fan, but curiousity from all the stuff Jennett writes about writing them led me to read Outcrossing a few months ago and I picked up these two when I was able to get online at my sister's. The series elevator pitch would be something like romances in an alternative post-Great War Britain with a cosy magical mystery being the lever to force two apparently mismatched and slightly damaged people together.

Goblin Fruit has series focal character Carillon and slightly impoverished gentlewoman Lizzie Penhallow being set at the same problem - a mysterious and addictive new drink  - from different directions and literally falling for over each other mid-investigation. It's pretty good for filling in a lot of the background about the magical sub-culture in the UK and how it functions that were only hinted at in Outcrossing.

Magician's Horde has bookseller/rearcher Pross Gates, a secondary character in Outcrossing, heading to London to ask for help from the 'Research Society' into a possible historical treasure she's been hired to help track down. The society seems to have gone notably downhill since her deceased husband was a Fellow, but it does assign her its apparently least favoured researcher, the (entirely justifiably) prickly Anglo-Egyptian Isis Ward (that's a male Isis, not female). Shenanigans ensue. I didn't feel this was entirely successful in establishing its bad guys' motivations, but they're really not the point here, and the handling of Pross's almost-a-teen daughter Cammie and Isis's mid-teen sister Hypatia's reactions to their elders getting it on together more than made up for it. This is also the first time we've had a reasonably upclose view of Hogwarts Schola, the wizarding school most of the characters attended.

Deadly Vows, Keri Arthur

Lizzie Grace has been hiding from her father and her husband since she was 18 and the day when her friend and familiar Belle rescued her from rape at her new husband's hands (it wasn't just an arranged marriage, it was a forced marriage) and emasculated him in the progress.

But now defending the magical wellspring on the Faelan Werewolf Reservation has blown Lizzie's cover and daddy and hubby are coming for the inevitable showdown. On top of which there's a wierd and unidentified supernatural predator killing newly weds (though not so wierd that I didn't immediately identify it from the description - and ironically ran into another one in the Incryptid stuff a week later).

My prime criticism of these is still that it's a very white version of Australia, even with non-white characters like Belle. Six books in and I don't think we've had a single aboriginal character yet. The murder monster was probably slightly superfluous this time around given it's very obviously going to be shunted off-stage at the earliest opportunity in order to clear the decks for the confrontation with daddy dearest, which I felt was itself undermined by turning hubby-dearest into a slavering rage-monster. There's also a deal-with-the-devil decision that's probably going to be terminal for a series regular at some point in the future.

Currently Reading

The Hound and Hob Pub, Seana Kelly

I liked the Paris segment, unfortunately they've now arrived in the UK and while it's mostly minor stuff - the barman yelling 'last call' instead of 'last orders' - the author appears to believe there are wolves on the Yorkshire moors. Plus it's doing the Robin Hood: Prince of Thieves thing with UK geography, apparently Whitby Abbey is close enough to Rievaulx Abbey you can jog over in time to intervene when someone's being chased by wolves (actual distance 30-odd miles).

Spell Hound, Lindsay Buroker (A Witch in Wolf Wood Book 2)

I was a bit equivocal about continuing the series after reading book 1, but the offer of the whole five book series for £0.79 persuaded me. Newbie witch Morgen remains clueless, brooding werewolf Amar remains darkly broody, every other male character is both a werewolf and a pig and every other female character is a witch out to exploit Morgen, the werewolves, or, mostly, both.

Samples Sampled

Winter's Gifts, Ben Aaronovitch

The new Rivers of London novella, though in this case it's more snowy Great Lakes of America, featuring Special Agent Kimberly Reynolds responding to a distress call from a retired FBI agent for "whoever's in charge of the basement nowadays".  Bonus points for the X-Files reference. I may well pick this up as soon as I've cleared the books I'm currently reading.

Dying With Her Cheer Pants On, Seanan McGuire.

Fix-up novel, imagine BtvS, but with Buffy replaced by the Fighting Pumpkins cheerleading squad. I do want to read this, but might wait and see if it pops up on offer.

Feed, Mira Grant (aka Seanan McGuire)

It's a couple of decades since the zombies rose and George and her brother Shaun are intent on succeeding as celebrity bloggers, whether as a serious reporter (Georgia) or by poking zombies with a hockey stick (Shaun). Being selected to report on the presidential campaign from the inside can only help. I've been meaning to try the series for years, but never really got around to it before now. I suspect the idea of influencing people by blogging/vlogging probably had slightly more impact when these first came out.

 

davidgillon: Text: You can take a heroic last stand against the forces of darkness. Or you can not die. It's entirely up to you" (Heroic Last Stand)


Currently Reading

The Bloody Red Baron, Kim Newman

Carrying on from Anno Dracula, The Bloody Red Baron moves the story on to the Great War. It's 1918 and Dracula is now Germany's war leader as the Allies brace themselves for the German spring offensive using the troops liberated from the Eastern Front by the surrender of Russia. Something dark is brewing on the German side of the lines at Chateau Malinbois, home of Baron Von Richthofen's Flying Circus and Charles Beauregard, now one of the ruling troika of the Diogenes Club, assigns young intelligence office Edwin Winthrop to Condor Squadron to watch over their attempts to penetrate the security of the Chateau. Condor Squadron is an elite assemblage of ace pilots, ranging from Albert Ball to Biggles, each of them a vampire, as are many pilots and infantrymen in this post Anno Dracula world.

Beauregard's vampiric partner, Geneviève Dieudonné, has retired to California to raise oranges, but Kate Reed, the vampire reporter from Anno Dracula, is in France, theoretically as an ambulance driver, and determined to figure out what Charles is up to, when she isn't making a nuisance of herself by exposing incompetence in the high command. Meanwhile, in Prague, Edgar Allen Poe, also a vampire, and exiled from America after fighting for the South in the Civil War, is offered the chance to redeem his flagging literary career by ghosting an autobiography of Baron Von Richthofen.

Condor Squadron's first attempt at Chateau Malinbois sees the drained body of their pilot dumped onto their aerodrome. Winthrop joins the second attempt, made in greater numbers, and becomes its sole survivor, forced to make his way back to allied lines through No Man's Land, with a short diversion as a dinner guest, or perhaps just dinner, in a mash-up of Good Soldier Schweik and Heart of Darkness. He emerges a changed, harsher man. Meanwhile Kate Reed embarks on a peregrination towards the front that shows her the grim reality of life in the trenches, while Poe arrives at Chateau Malinbois to discover the horrific secret of the Flying Circus.

And finally the Spring Offensive launches, and Condor Squadron meets the Flying Circus head on, while Dracula watches his plans unfold from his command zeppelin, complete with Engineer Robur on the pipe organ. Kate is caught at the front, while Charles is stuck at HQ, able only to watch.

Also included with the Kindle edition is Newman's rather different reworking of the story into a film treatment for Roger Corman, and Vampire Romance, a novella set in '20s England. Geneviève Dieudonné is back in London, having fled Prohibition Era America, though Charles is off in India, putting down a rebellion. She emerges from having her hair bobbed, ready to recreate herself as a flapper, only to find Edwin Winthrop waiting for her. The Diogenes Club would appreciate a favour.

Meanwhile, in Mildew Manor in dankest, rain-swept Cumbria, vampire-obsessed schoolgirl Lydia Inchfawn is awaiting the arrival of the vampires invited by her Great Aunt, Mrs Gregson. Mrs Gregson believes that there is a power vacuum at the head of vampirekind, and proposes to annoint the new King of Cats from amongst the elders she has invited. What she gets instead are those who can be bothered to turn up, and Geneviève.

Attendees include Kah Pei Mei, High Priest of the Temple of the Golden Vampire, waited on by his nameless, sailor-suited, child-vampire bodyguard (soon rechristened Mouse); Kleopatra, with her spokesman Professor Bey; Countess Marya Zaleska, daughter of Dracula; the bluff and brutal Australian vampire Hodge, supported by former secret policeman (and antagonist of the Diogenes Club) Caleb Croft, the pair of them likely proxies for former PM Lord Ruthven, and General Karnstein and his wife, supporting their strangely familiar son Liam. And lurking in the shadows is master criminal the Crook.

No sooner have the rising waters cut off the Manor then the traditional entertainments of English Country House weekends start with the first murder. It's up to Geneviève and Winthrop, or maybe Lydia and Mouse, to find the killer, and maybe stop a revolution before it can get started.

I found the opening of this a little irritating, Lydia's vampire infatuation is laid on with a trowel, but Geneviève's sections are fine, and Lydia's soon segue into more traditional girl's boarding school stories territory. Add a couple of nicely engineered plot twists and in the end I thoroughly enjoyed it.

Once Broken Faith, Seanan McGuire

The latest outing for Toby Daye sees her dealing with the fallout from her previous escapade, which saw her unseating yet another fae monarch, while her tame alchemist Walther managed to invent a cure for being elfshot, potentially destabilising the entire political structure of faery. Forbidden to kill each other, the pureblood fae find that elfshot, which puts its victims into a century-long enchanted sleep, makes for a rather nice substitute. Add its use as a judicial punishment and a cure is not seen as a good thing.

Toby has people she needs cured, people she's equivocal about, and people who need to sleep the full hundred years. It's complicated, and gets more complicated when Arden, her Queen, turns up on her doorstep, wanting Toby's help to end-run a couple of cures past High King Aethlin's injunction against any further cures before they've held an all-Kingdoms conclave on the matter. The fallout from that gets Toby commanded to attend the conclave herself, along with Quentin her squire (aka Crown Prince Quentin).

That means Toby as the only changeling amongst a whole ballroom's worth of pure-blood fae, most of whom would look down on her for being a changeling, never mind the kingbreaking, and god forbid anyone should mention the killed one of the fae Firstborn thing. Fortunately Toby isn't entirely without allies. There's Tybalt to start with, her fiancé, and King of Cats, though enforcing his equality among the other royals means he's going to have to snub her, at least at first. And Queen Arden, though she and Toby are still negotiating a way around the pricklier edges of their personalities. Not least of Toby's allies are the High King and Queen, who owe her for raising their son in secret.

And then there's the Luidaeg, Faery's favourite scary monster, and Toby's aunt, who shows up at the Conclave with Toby's 15yo honorary niece Karen in tow. Eira Rosynwyr, the Luidaeg's even scarier sister, and creator of elfshot, isn't content to go unheard when people are debating the destruction of her most famous creation, not even when she's lying elfshot and comatose in the back of beyond, and she's found a way to make Karen her mouthpiece. And then the killings start.

So it's Toby trying to find the killer inside a locked building. We've been here before and even she admits she's not actually very good at it. But she has a clue, and that's more than the rest of Faery, the only question is whether she'll find the killer before they find someone she can't bear to lose.

It's an entertaining story, though I'm not entirely convinced by the murder gimmick. There's still character growth going on: Arden is growing into her role; Quentin into his adulthood, and Toby is still learning how to deal with being the daughter of Amandine, daughter of a Firstborn, without sacrificing all of her humanity to it. And best of all, we get the Luidaeg for almost all of the book, which hasn't been the case in recent books.

Also included is Dreams and Slumbers, a novella featuring Arden as the protagonist. It isn't as frenetic as a Toby story, revolving around Arden dealing with the slow emergence of a decades-old plot against her, but if she doesn't deal with it, it could cost her the one person she's spent her life caring for, her brother Nolan. It's mostly a story of Arden growing in to being Queen in the Mists, but there are also plot developments for Walther, and for Toby's niece Cassandra (Karen's sister), which are likely to have consequences down the line.


Up Next

Probably Dracula - Cha Cha Cha, next up in the Kim Newman Dracula books, Kate Reed flies out to 60s Rome to be with Genevieve Dieudonne and Charles Beauregard as Charles' life draws to an end, but Dracula is also in town for the society wedding of the year - his.

Web Comics

Cut Time, an unplanned new one, its banner ad on one of my regular comics caught my eye. Not very far into the story yet, it's a typical fantasy world (Legend of Zelda influenced?) which is still introducing the key characters. The core character is Rel, a young woman (girl? it's difficult to be sure of her age) with a mysterious mission. Cursed to be blind, she has a guide-falcon, and that concept had me hooked from the moment I realised what the bird was. At the moment she's haphazardly assembling an expedition, including a young noble, Solus, who is disenchanted with his gilded life and Nal, a mysterious doctor cum wizard, there's also an assassin floating about in the background who really doesn't seem overly enamoured of his choice of careers. The manga-influenced art is fine, more than competent, my only complaint is it's very difficult to determine character ages, I initially took Solus for 30-40, while it's more likely he's actually around 20, Rel could be anywhere from12 to 25, and Nal looks 16 and acts 45.

Web Fiction

Great Deeds, I read a bunch of online military AH stuff while I was stuck with no creative energy from the chest bug I had. One of those is APOD, 'A Point of Departure', a collaborative effort that spins out of the published French-Language France Fights On/La France Continue, with the point of departure being that France doesn't surrender in 1940, but evacuates to North Africa. APOD looked at alternate strategies for the British Empire, and one of those was the possibility of invading Norway before D-Day, which is where Great Deeds comes in. It's a 57k short novel, about neutralizing the German battleship Tirpitz, Bismarck's sister-ship, in its lair in the Norwegian fjords; something that occupied British thinking for a large part of the war. Great Deeds is APOD's very innovative, yet traditionally British solution. It reads as fairly traditional British military fiction in the Dambusters/Sink The Bismarck/Heroes of Telemark style. Not quite professional quality, but not bad.


 

davidgillon: A pair of crutches, hanging from coat hooks, reflected in a mirror (Default)

Recently Read:

Velveteen vs The Seasons, Seanan McGuire

Surviving the previous two Velveteen books has left Velma Martinez, aka superhero Velveteen, seriously indebted to the anthropomorphic personifications of Winter, Spring, and Autumn, and it's time to pay up. Vel is committed to spend one season in the Seasonal Lands with each of the three seasons, and at the end choose whether to move to one permanently, becoming one of its personifications, or return to the Calendar lands (aka Earth).

Being in debt to Santa Claus may not sound too harsh, after all it's Santa, and one of Vel's best friends is his daughter Jackie. But the big man isn't the only power in Winter, there's Jack Frost and the Snow Queen, Jackie's true parents, and there are powers yet un-named, and the seasons have been putting on their best faces for Vel when she visits, Being tested by the seasons is an altogether harsher process. One she isn't guaranteed to survive.And if Vel makes it out of Winter, there's still Spring, the season of destructive rebirth, and Autumn, the season of Halloween, to face

Like McGuire's Indexing series, the Velveteen series is structured as a chain of linked short stories, each entitled 'Velveteen vs'. Threats this time include "Hypothermia", "Santa Claus", "Spring Cleaning", and "The Consequences of Her Actions" amongst others. Scattered in among them are a handful of "Velveteen Presents" chapters as the friends Vel left behind deal with the aftermath of bringing down The Super Patriots Inc.

The theme here really is the consequences of her actions, for both Vel and her friends. The Velveteen books have always been darker than they sound, but this time the gloves are off, and not everyone will make it to the end of the story.

Velveteen vs the Seasons has what looks like a rather gaudy cover at first, but it's worth a second look when you're done. I didn't realise it at first, but all four women are actually Vel.

Definitely one to pick up from the earlier books if you haven't read them, with the stories from Book 1, Velveteen Vs the Junior Super Patriots Inc available on Seanan's site. There's a note there saying the ebook versions of both it and Velveteen vs the Multiverse are out of print for contractual reasons :(
 

A Red Rose Chain, Seanan McGuire

The ninth Toby Day book opens with Toby reporting her latest bit of heroing to Good Queen Arden, newly restored to the throne of San Francisco's fae Kingdom of the Mists, only to be interrupted by having the body of Arden's chancellor, Madden, dumped on them. This isn't an assassination, Madden isn't dead, he's been elf-shot to sleep for 100 years, it's a declaration of war. A century ago, Mists, under the usurper queen Toby recently deposed, fought a war against the neighbouring Kingdom of Silences, won and installed a puppet monarch, Rhys. Now Rhys wants Mists restored to it's 'rightful' queen, or it's war.

Dealing with Arden's initial panic requires Toby to get a little physical with her monarch, so when Arden needs a 'volunteer' for Ambassador to try and stop all this happening, guess who is first in line. Of course Toby isn't known for her diplomacy, she's much happier hitting things.

So it's Toby, her fiance Tybalt, King of Cats, her squire Quentin and her wierd sister May off to Silences. But with Silences slinging elf shot about, she needs an alchemist for her team, so poor chemistry professor Walter gets dragged out of his lab again. Only poor Walter turns out have been hiding things, such as being from Silences. He's not quite a hidden prince, but he's close.

Silences is a nightmare. Rhys isn't just a puppet of the usurper, he's a pure blood fanatic, and Toby isn't pure blood. She might be more fae than she started out, but she's still a part human changeling, with changeling vulnerabilities. Rhys's game isn't kill the ambassador, but nothing else is off the table (and in fact most of the attacks take place at table). And if the situation is bad for Toby, it's far worse for the changelings stuck permanently in Rhys's court.

There's no hope of bringing Rhys round, not when he's both fanatic and a puppet of the usurper, but Toby tries to stay on the diplomatic path, at least while the threats are directed solely at her. But when they stray to her friends and family the gloves come off, and this is a woman who has already brought one monarchy tumbling down. Her friends just wish she wouldn't bleed quite so much while she's doing it.

This is another solid entry in the series, there's not really any sense of where the series as a whole is going, but Toby is continuing to grow into her power, and there's a sense of every ball that's been tossed in the air still continuing on its arc. About the only thing missing this time is the Luidaeg, Toby's scary monster of an aunt, who only appears offscreen via a couple of telephone calls. But one thing is certain, the consequences of what happened in Silences are going to rattle through Mists too, and probably all of the fae kingdoms.

Red Rose Chain also has a cover that repays another look once finished. It's very subdued, but there's a wonderful amount of referencing to key elements of the story.

Up Next

Defying Doomsday, ed Tsana Dolichva and Holly Kench

An anthology of stories of disabled and chronically ill folk surviving doomsday. I've started with Corinne Duyvis' "And the Rest of Us Wait," with a teenaged Latvian one-time pop-idol and her family waiting out a comet impact in a Dutch public bunker, a situation complicated by her spina bifida. I love Iveta's voice, and Duyvis (who is autistic rather than physically disabled) seems to have done a good job of her research. Iveta and I seem to have roughly equivalent levels of mobility and it seems very well done to me.

Currently Playing

The Amazing Adventures of Van Helsing

Picked up in the Steam sale for £5.20, including all three DLC sets. I'd call this a Rogue-Like, I've also seen it called a Diablo-like, but I've never played Diablo. It's a RPG/shoot-em-up in which Van Helsing and his faithful companion Kristina (who's a ghost) are called to Borgovia, home of things that go bump in the night, which is suffering an outbreak of steampunk. The objective is basically kill anything that moves, while fulfilling various missions. Presentation is basically 3d isometric, but the 3d is somewhat wasted as you can't really see the detail that's there if you zoom in. It might be better on a large screen, I'm playing on my laptop at the minute, but there tends to be a lot on screen.

It's very frenetic, but if I can manage it with my dyspraxic coordination it should be accessible to most people. About the only problem with the game is that Katrina is very cliched. Expect to be annoyed.

If you're playing in Win 10 you need to kill one of the minor Windows services or it will crash after 15 minutes (you can google that on the Steam forums), but apart from that it seems pretty reliable.

I wouldn't have paid full price for it, but for a fiver it's good value.

ETA: Webcomics

I don't think I mentioned starting to follow Shattered Starlight, which is a new comic from Nicole Chartrand, who writes and draws Fey Winds, one of my favourite comics. Set in Montreal, it's only just taking shape, with a protagonist, Farah, who is a former magical girl, now all grown up (she's 28) and out of the defender of the earth thing. Unfortunately she has a temper, and her powers, and blasting her boss through a wall and four cubicles just got her reassigned to work at Cafe Le Dead End, which is as far as the story has gotten so far. The artwork is a real contrast to Fey Winds, which is full colour typical cartoon style, while Shattered Starlight is a detailed black and white style, though with occasional highlight tinting (mostly Farah's pink hair).

davidgillon: A pair of crutches, hanging from coat hooks, reflected in a mirror (Default)
It's been a while since the last of these, Pitchhwars left me with very little time for reading when it kicked off in September, and I haven't really gotten fully back into the fiction mode since. On the other hands there's still three months worth of books to cover, so this may take a while - in fact it's taking me so long to get through them all I've decided to split the post in two, look for the rest of it later this weekend.

SF/F

I seem to have given up the re-read of Pratchett's Watch books. I'd like to restart, but realistically have no idea when that will be.


Accessing The Future,
ed Kathryn Allan

I think I finished this, it was on the go when Pitchwars started, but I really want to go through it again and review each story as I read them, and figure out what it is I would have done differently, because I was left more unsatisfied than I expected. I suspect it's that I'm more overtly political a crip than the writers who did get through the submission process, certainly my submitted story was much more about using SF as a mirror for contemporary attitudes towards disability than most of those that did make it through.

Cold Magic, Spirit Walker Book 1, Kate Elliott

See the link above for my review of the first half of the book. The second half kicks off with the Cold Mages realising they've kidnapped and married off the wrong one of the Hassi-Barahal sisters, they should have been going for Bee, not Kat. Unfortunately a quickie divorce is out and Kat finds her new and very unwanted husband ordered to kill her. Some unexpected aid allows her to escape, but that leaves her somewhere near the French coast and needing to walk back to quasi-Portsmouth in time to warn Bee (though fortunately the ice age scenario means she doesn't need to swim the Channel). And all while being hunted by the mages, her not-so-ex and their troops. There's unexpected friends, unexpected allies, unexpected betrayals, and a completely unexpected half-brother, whose existence leads Kat to realise she's never known the truth of her own heritage. The alarums and excursions continue all the way home, and don't stop then, but now it's Kat and Bee on the run together, the Cold Mages hot on their tale, until things take another twist and a new faction emerges. The writing continues as good as I thought it was in the first half and I'll definitely be seeking out the rest of the trilogy.

Skinwalker: Jane Yellowrock Book 1: Faith Hunter
This was a recommendation from my Pitchwars mentor (i.e. homework), the why of which rapidly became obvious. Jane is a vampire hunter for hire in a world where a limited number of paranaturals are known to society, vampires being the obvious one. Jane, however, is one of the unknown species, she's a shapeshifter, and she has a secondary personality resident in her head, a big cat. This makes her a direct parallel to my werewolf cop Aleks, whose wolf also takes the form of a secondary personality (though Suka is non-verbal, where Jane's Beast isn't). The plot in this first novel in the series has Jane hired by, of all people, the Vampire Council of New Orleans. A rogue is killing tourists, cops and vampires, and the leaders of the vampire clans want them stopped (dead tourists are bad for business when you run the New Orleans whorehouses).

I wasn't an immediate fan, Jane quickly runs into a classic bad-boy on a motorcycle (she rides a chopped Harley herself) and insists on referring to him as 'The Joe', which I found plain irritating, but she slowly grew on me. I did like the attention to detail, Jane isn't restricted to one shape, though her big cat is easiest, and she doesn't always manifest at the same size, but there's a mechanism to handle that built into the worldbuilding (I just had Aleks and Suka manifest as a very big wolf). Jane's the classic tough loner, though being an ex-feral child, and probably a Cherokee skinwalker, are interesting variations on the norm. It quickly becomes obvious Jane is in for a tough fight, the rogue has abilities other vampires don't, abilities more akin to Jane's, but she isn't exactly short on weapons herself. One aspect I found interesting was the sheer number of people she befriends, ranging from the girls at 'Katie's Ladies', to Katie herself (never mind that Katie is a vampire clan leader), Katie's security/factotum Tom and his counterparts with just about every clan across the city, and a local Cherokee shaman. There are a lot of action sequences, but along the way Jane makes some unexpected discoveries about her origins and there is a completely unexpected bit of sub-plot involving a vampire priestess that links the origin of the vampires with, in some as yet unexplained fashion, the Christ story.

It's serial urban fantasy, but a pretty good example of the breed.

Greek Key: 
K B Spangler

I love Spangler's A Girl and Her Fed web-comic, and absolutely adore the spin-off Rachel Peng technothrillers. Her new novel takes Hope Blackwell, protagonist of AGAHF, and gives her a novel in which to shine. It starts with the maguffin from the latest Rachel Peng novel, a previously unknown fragment of the Antikythera Mechanism, which Rachel retrieves and Hope gets to see because her husband (the Fed) is Rachel's boss. Despite that the novel actually starts with Hope face down in her living room with a policeman's boot pressing her into the carpet. This isn't because she's being arrested, it's to protect the four thugs who made the mistake of breaking into her house to assault her. Hope's a flutter-brain at times, and physically tiny, but she's also a world-class martial artist with a violent streak (and they brought a crowbar). 

Hope's also a medium, with Ben Franklin as mentor/spirit guide (all long since explained in AGAHF - Franklin picked her as his physical proxy to keep an eye on the continued development of the US) , and when Rachel turns up with the artefact the alarms go off, because there's suddenly a possibility the Antikythera Mechanism is an artefact adrift out of time, something produced by a powerful ghost who continued working after their death - which is a problem as causality tends to shut down timeloops where that happens and stomp them into dust. There's a pretty obvious candidate, Archimedes, but ghosts can't really travel outside their home country, so Hope finds herself despatched to Greece to track down where the artefact came from.

Hope takes her two usual sidekicks with her. Mike Reilly is another medium, though in his case from a long line of mediums - who hate him for being gay (but not as much as they hate Hope for not belonging to one of the old medium families). Unlike Hope he espouses a policy of non-violence, which doesn't stop him being an even better martial artist than she is, it just means he practises Aikodo rather than Judo. And then there's Speedy. Someone decided to see how far he could get with selective breeding/genetic engineering for intelligence (similar to the Russian experiments with foxes), and koalas have a lot of room for improvement. At generation 26 he got Speedy, and who euthanized who got reversed... Speedy is 3 feet of hyperintelligent, pissed-off, sex-obsessed koala, with a talent for languages, code and patterns, so he's along to translate.

Once our heroes are in Greece, they quickly pick up a pair of guides, warring cousins who are both on the shady side of legit, if not outright tomb raiders. They also pick up Hope's usual entourage of tails and potential kidnappers - her husband's agency is really not popular. Both sets of add-ons serve mostly to provide light entertainment; threatening two top martial artists is a sure step towards getting your nose eaten by an angry koala. And then Hope acquires another artefact, a pair of beads, and the story takes an unexpected step.

The beads once belonged to Helen of Troy, but the stories have forgotten who she was first, Helen of Sparta, and a Spartan princess was no simpering beauty. Helen's tale isn't quite done, and she needs Hope to finish it.

The dual narrative is unexpected, Hope tracing clues in the present. while reliving parts of Helen's story each time she sleeps, and much as I love Hope, I think it is Helen's story which is the more compelling one.

The conclusion takes an unexpectedly dark turn, and once you've seen the cover you'll know where it ends, but it does it in a way that's true to both of the stories leading up to it. One slightly odd aspect stylistically is that the story is presented as Hope narrating it in the first person, and she isn't averse to breaking the third wall. However that's entirely in accord with her character. It's a very different story to the Rachel Peng novels, because Hope is privy to a side of the AGAHF universe that Rachel isn't, but still one I very much enjoyed and I hope there'll be more to come.

Indexing: Reflections, Seanan McGuire

Reflections picks up where the original Indexing left off, and Reflections is very much the theme of the work. Not only is glass a recurring issue, not only is this very much a reflection of what happened in the previous book, but we need to look in the mirror at various characters, and off course mirrors aren't exactly an unknown motif in faiy tales,

If you haven't read the first book, the series conceit is that fairy tales are real and are conrtinually trying to manifest themselves. Charged with stopping the mass deaths that usually entails are the agents of the ATI Management Bureau, where ATI is the the Aarne-Thompson Index of catalogued fairy tales. Henry (Henrietta) Marchen and her team of agents work for the Bureau in an unnamed East Coast city, and the best agent to stop a fairytaile is one who has already escaped one (for now). Henry is a Snow White, forever marked by her complexion, and waking each morning to the sound of bluebirds beating themselves to death against her bedroom windows in frantic attempts to reach her and love her. Her team also features a Cobbler's Elf (Jeff, her lover), a Pied Piper (the very young, but very powerful flautist Demi), and Andy, solid, reliable, just your baseline human. It's completed by Sloane, the only Evil Stepsister in the ATI, who treats incoming fairy tales as an opportunity to work out her fury with her fists and her boots.

Like the original Indexing, Reflections started as Amazon Singles, being released a chapter at a time. Each chapter is therefore structured much like a short story, with a definite beginning middle and end as yet another fairy tale manifests, but this time it's clear much earlier that there is an overall arc, and that the whole arc has been very solidly planned.

It starts with the team under investigation, as Henry's new active status (she bit an apple in Indexing) possibly leaves her too vulnerable to lead. That brings in HR's Ciara Bloomfield, a Bluebeard's Wife, who may just be roguish enough to be Henry's match. No sooner is that out of the way than the team is faced with a breakout from Childe, ATI's enchanted prison, a breakout that ultimately proves to be centred on Birdie, the ATI archivist gone bad who was their opponent in the first book, and she's taken the opportunity to build herself a little team.

Birdie's first move shows up when Henry's brother Gerry calls for help, with word of a Gingerbread House manifesting outside the school where he teaches (Gerry would have been Rose Red to his twin's Snow White, but for the minor fact of being born male in a female body - the result is someone stories keep trying to latch onto).

Benched as too vulnerable to Birdie's wiles, the team try a Hail Mary play that leaves Henry fighting a lone battle, and Ciara in charge. And all the time Birdie is moving her plan closer and closer to its ultimate target.

If anything Reflections is even better than Indexing, and I really want to reread the two of them together. Reflections is one of those rare first person stories where you can't be certain the narrator, Henry, will make it out alive, particularly as the narrative does occasionally switch POV. One definite piece of fan-service is Sloane's origin story, but it's fan-service that's absolutely essential to the plot. We knew Sloane was a hero, I'm not sure we realised how much of one. There are hints that a third volume is possible, there's a quiet tragedy working it's way out in the ATI office beneath the noses of the team, and there's one line very late in the narrative that has two possible readings - maybe I'm just being a little paranoid, maybe I just misread it, but Seanan McGuire is getting to be very good at what she does, and I don't put deliberate ambiguity beyond her.

Non-Fiction

I've actually read a few hefty non-fictional books in the last couple of month, concentrated on my interest in the engineering side of military history. I also worked my way through about 20 Kindle samples in the days before Christmas looking at naval history/naval architecture books I might want to buy in future, and in some of these books that's 50 or more pages worth - but no reviews until I read the full things!

US Secret Projects 1: Fighters and Bombers of World War 2, Tony Buttler and Alan Griffith

280 pages, A4. The Secret Projects series has been running for a good few years now, covering aircraft projects that never saw service and putting development programmes in perspective, taking advantage of the documentation now released into national archives. We're certainly into the teens in terms of volumes, but the series recently switched publisher from Ian Allan to Crecy. The '1' for this volume is a little bit of a misnomer, there have already been two previous US volumes covering post war aircraft, but it may mean a second WWII volume is projected. This is quite spectacularly good. I rate books of this type by how many aircraft they cover that I've never heard of, with anything in double figures being a good result. This has a project that's new to me on almost every page, many with either period or redrawn three-view art. There are a few minor howlers, the sketching of the overall US development and procurement plan is weak - but that's because no one can find the relevant documents in the archives, and I think they need a better line editor (me!) but definitely a good buy.

Japanese Secret Projects 2: Experimental Aircraft of the IJA and IJN 1922 - 1945 Edwin M Dyer

160 pages, A4. Oh dear. What a contrast. Where US Secret Projects is utterly good, this is utterly a mess. Volume 1, with the same author, was pretty good, so I think the basic problem is they've stretched the fragmentary Japanese archives to their limits, and then gone on to try and get another volume out of it. There are a handful of aircraft new to me, but the structure is dire. It's supposedly one chapter per aircraft project, but we find ourselves bouncing back and forth between Imperial Japanese Army and Navy Projects, suddenly switching from late war to 20s projects, and throwing into the middle of it a chapter on the Japanese nuclear programmes (rather good, expands on stuff I've seen elsewhere, but not an aircraft) and another on a Japanese directed energy weapon project that is a) even more out of place, and b) far too credulous. And within the chapter you often find that 75% of the prose deals with another aircraft entirely, often a well known one that the supposed subject relates to, but on a couple of occasions just an aircraft with a similar role. Clearly there just wasn't enough data to fill the book with actual secret project stuff and they've resorted to padding it. For one aircraft it actually admits there is no direct documentation whatsoever, just a couple of indirect references to say it was built, so we get a chapter talking about the German aircraft that inspired it. Again needs a better editor, but this time to the point I think the manuscript should have been sent back for another draft, with instructions to completely restructure it.

British Destroyers and Frigates, the Second World War and After,
Norman Friedman

350 pages, A4. Coverage starts with the Tribal class on 1934 and runs all the way up to the current Type 45s. I've just finished this and I've been reading since Christmas Day, it being my present to myself. This is pretty dense and really one for the serious student of naval history/naval architecture. Friedman is American, a former naval analyst, with a score of serious books behind him, including equivalent volumes on US ship classes, and he knows all the right people and archives (I love that one of these is called 'The Brass Foundry' - it's an outstation of the National Maritime Museum)  to research his subject properly. He's written these books by going back to the origina requirements, the original design and history documents (the 'ships covers') and the original workbooks of the actual designers. He very occasionally misses a minor nuance of British politics, but far more often the story he's teling adds nuance, such as British post-war strategy being built on a belief we were definitely going to go to war with Russia, with 1957 as the 'year of maximum danger'. I was half-way through a re-read of his British Cruisers volume before Christmas, so I'll be picking that up again, and I'll probably follow it with the volume on WWI and interwar destroyers, which I'll likely get on Kindle to judge whether it's worthwhile given the heavy use of large and detailed drawings of the ships and the extensive use of footnotes. Destroyers was more readable than Cruisers as they've switched to inline footnotes, whereas all the footnotes in Cruisers were at the back of the book and often half a page or a page in length. OTOH Friedman's prose isn't always the clearest. I'm sure he knew what he meant, but sometimes there are multiple interpretations possible of the words that made it to the page. Again, needs a better editor.

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David Gillon

March 2025

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