Nov. 26th, 2023

davidgillon: A pair of crutches, hanging from coat hooks, reflected in a mirror (Default)

My technothriller WIP has been pretty much stalled ever since Russia invaded Ukraine because the plot is heavily drone dependent and I needed a better feel of where drone and counter-drone technology was going as a result, to make sure the narrative doesn't turn suddenly obsolete. It occurred to me the other day that I pretty much have that, so I've been noodling at it again for the last few days.

One change I was considering making whenever I returned to it was to shift a major secondary character who's Deaf from getting by on her own with lipreading and a cochlear implant to using a sign language interpreter -- which probably already made professional sense as she's a DA and needs to be certain she isn't missing anything when she's in court. So I sat down to do that on Friday, and it actually went a lot faster than I anticipated, while still being a fairly big edit job. It's an interesting exercise because it makes you think much more about where everyone is standing during a conversation, especially when you throw in that she's also lip-reading where she can. And it also changes more intimate scenes (she's the protagonist's wife) as having a conversation while spooned up against each other isn't really practical if you need to see hands and lips. On top of which doing it in the dark is just out. Equally you can't just send her off to show someone around the family home, if she can't actually hold a conversation with them, so viewpoint character/protagonist suddenly became an important part of that little excursion.

By coincidence I came across the trailer for Marvel's upcoming Echo this weekend https://www.youtube.com/watch?v=AFUKnherhuw , in which the only person to speak is Wilson Fisk/Kingpin/a very bulked up Vincent d'Onofrio as Maya Lopez/Echo/Alaqua Cox is Deaf and uses ASL and is too busy kicking ass in the trailer (never mind she's also an amputee) to stop and sign. But there's an interesting piece here and here where director Sydney Freeland talks about changing the way they might otherwise have framed shots to accommodate the fact they're being signed.

 

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davidgillon: A pair of crutches, hanging from coat hooks, reflected in a mirror (Default)
David Gillon

March 2025

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